20 Best True-Story-Based Movies on Pluto TV Right Now

It’s 1984 and miners in England are on strike against Prime Minister Margaret Thatcher’s plans to close pits. Their cause has unlikely appeal for Mark Ashton, a human rights activists who decides to take a group of people who had joined an early Gay Pride parade in London to rural England to show support for the (often socially-conservative) miners.

You can see how things might go wrong, but in this case they didn’t. This heartwarming tale is based on a true story. An easy, funny, and relevant movie about the bond that oppression brings to the oppressed. Super earnest, too.

Tunisian director Kaouther Ben Hania’s new movie is about an arrogant European artist who tattoos a Syrian man’s back, essentially turning the man’s body into artwork. 

The man, as a commodity, is able to travel the world freely to be in art galleries, something as a simple human with a Syrian passport he couldn’t do. Seems unlikely? It’s based on a true story.

But Ben Hania is not really interested in the political statement aspect of this unlikely stunt. Instead, she looks at what this would do to a human-being, to the man’s self-esteem, his relationships, and the turns his life takes. It’s a fascinating movie.

A Danish cargo ship is hijacked by Somali pirates in the Indian Ocean. The pirates demand millions of dollars in ransom and from there on, a psychological drama between the pirates and the ship owner develops, as they negotiate the price for the ship and its crew. A really great thing about this film is the fact that it doesn’t get tangled up in the weepy feelings of the families back home – but instead focuses on the shrinking hope of the ship’s crew and the psychological consequences of the brutal negotiation, that drives the ship owner to the edge of madness. Inspired by a true story. Brilliantly acted.

Argentina, 1985 is a legal drama about how a prosecutor and his young team were able to mount evidence—despite all threats and odds—against the officials behind a brutal military dictatorship. The public trial is supposedly the first of its kind in Latin America, a marker of true democracy that made a hero out of Julio Strassera and Moreno Ocampo, who both led the case.

Despite the presence of very serious themes, there are moments of lighthearted humor here that work to stress the film’s underlying message of goodwill and perseverance. Argentina, 1985 competed at major festivals this 2022, and it’s Argentina’s official entry at the 2023 Academy Awards.

Abel Ferrara’s protagonists have always searched for higher meaning in a flawed, messed-up world of pain and violence. If 1992’s Bad Lieutenant took Harvey Keitel to church for one of American indie cinema’s most spectacular endings, Padre Pio doesn’t offer such solace. Ferrara (who’s been living and working in Rome for years now) teamed up with Italian screenwriter Maurizio Braucci to direct a period piece that brings together the real life of a Catholic Church saint (the titular Padre Pio) and the rise of socialism after WWI. What seems like a straightforward historical approach turns first gruesome and then profound to capture the contradictions at the heart of Italy as a nation. A character study that breaks free of its biographical chains, Padre Pio shows that Ferrara has still got it, 50 films in.

A mother and her two children move from Colombia to Queens, New York to join the father. Once there, he abandons them and moves to Miami.

With no family to fall back on, barely speaking English, an inexistent social welfare system and two little kids who require care; the mother quickly runs out of options. At first, she tries to sell empanadas in the street, then tries to become a temporary worker, but a mixture of obstacles keeps getting in the way.

Entre Nos is about the precariousness of the immigrant experience: about how quickly things can go wrong. But it’s also about how survival instincts and motherly love can stand in the face of complete desperation.

A heart-wrenching tribute to victims of natural disasters that is one of despair, suffering, and hope. And it wouldn’t be so damning if it weren’t based off a true story surrounding the tragedy that killed more than 230,000 people. Boxing Day 2004 was one of the most memorable dates for wedded couple, Henry (Ewan McGregor) and Maria (Naomi Watts, for an Oscar nominated performance). Just two days prior, they arrived at Orchid Beach Resort in Thailand to celebrate the Christmas holidays together with their three children. After a squabble with the crew regarding their room reservations, they are granted the privilege of staying in a peaceful villa and all seems to be well. Nature had other plans in mind, though, and facing it head-on is the bittersweet reality.

Fighting with My Family manages to pull off a respectable pro wrestling movie with a lighthearted teen drama slant — a nice change of pace and a victory in itself. Saraya (Florence Pugh) and her family paint the movie with dorky crass jokes, but the film doesn’t seem to tread that line masterfully enough to where we look past her family’s obnoxiousness and find it purely charming instead. But there is more to like here than not: Vince Vaughn as levelheaded NXT coach Hutch Morgan, Dwayne Johnson as himself, and even the blonde girls posse were a little more than just clichés and added a sense of maturity to the portrayal of modern WWE.

With his long and extensive career, it can feel that Steven Spielberg can direct everything. The question is, can he direct a movie that depicted one of the most important freedom suits America has ever faced? Amistad, titled after the ship in the case, is his attempt, and while it does employ some tired tropes and it is a tad lengthy, it does a fair job of balancing the real history and the cinematic drama. Detractors have denounced this film as a white savior narrative due to the way the characters that go through the most growth are the white characters, but it’s Cinqué’s story that moves us through Djimon Hounsou’s performance and Spielberg’s direction. Amistad is not perfect, but it at least ensures that Cinqué’s actual life would be remembered and learned from for much longer.

Shakespeare is a classic, not just because of the tales it adapts, but because of the innovation he made in the English language. Because of this, not every film adaptation gets this aspect right, but the one that gets the closest was Kenneth Branaugh’s Henry V in 1989. With his beginnings in theater, Branaugh steadies his directorial debut with the strength of the performances, including his own in the title role, which incorporates the language in a more accessible way. Younger viewers might prefer the straightforward prose of the latest iteration of Henry V, but Shakespeare purists would surely prefer this classic adaptation, the very debut that led Kenneth Branagh to be best known for Shakespeare adaptations.