100 Best TV Shows of 2023 So Far

True crime documentaries have had a bit of a sensationalist streak in recent years, but thankfully, Never Let Him Go never stoops to that level. It knows, respects, and empathizes with Scott Johnson and his family, who, for 30 years have relentlessly sought answers as to how and why, exactly, Scott died the way he did. An American prodigy studying in Australia, Scott had a bright future ahead of him. But it was cut short when his body was found at the bottom of a cliff, naked and mutilated, with police concluding simply that Scott had committed suicide. Over the course of decades, however, multiple leads would come up that suggest Scott could’ve been one of the many hate crime victims whose violent and bias-motivated end went unacknowledged. In four efficiently edited, objectively studied yet emotionally told episodes, Never Let Him Go tracks this years-long affair and studies how it evolved from a simple unresolved mystery to a landmark case that exposes not just the sorry state the LGBTQ community was subjected to, but the complicated bureaucracy that comes with obtaining justice. 

In their ninth drama collaboration, director Park Chan-hong and writer Kim Ji-woo partner again to deliver a murder mystery in Miraculous Brothers. The first few episodes juggle multiple plotlines between the novelist, the amnesiac boy he crashes into, and the serial murders, and at first, it seems unclear what links all of them. However, as the series successfully maintains its suspense for the two driving mysteries, it also makes it easy to root for the main characters – the superpowered empath and the reluctant writer – as they seek justice for crimes committed long before. The series shines best when the two become closer, and when the developing dynamic pushes Yuk Dong-joo closer to admitting the truth.

After much anticipation, The Worst of Evil has finally been released, starting off the season with a rumble between gangs underneath Gangnam. Through neon-lit streets, grimy green-tinged windows, and dimly-lit corridors, the series brings its viewers back to the 90s criminal underworld, though with modernized choreography and fairly realistic CGI blood. This set is the arena where undercover cop Park Joon-mo has to fight, in order to gain the trust of crime boss Jung Gi-cheul. As each fight gains some goodwill from each other, and as Park’s wife enters the fray, the series promises dangerous stakes, dramatic betrayals, and thrilling fight scenes. It’s a fresh take on the undercover cop, infiltrating the gritty underworld through sheer persistence, with an added emotional twist.

Undead Unluck is such a strange anime with such a strange duo. Named after their respective powers, the undead Andy seems familiar with his Deadpool-like regeneration, albeit with such a fast rate that he can shoot out body parts with such gruesome animation. However it’s the unlucky Fuuko that brings them to the most absurd comedic scenarios, including, but not limited to, surviving a giant truck crash, a lightning strike, and a whole meteor. In order to achieve their goal of dying, they have to build up a bond to maximize her unluck. As they learn more about Fuuko’s abilities, as well as the organization hunting them down, it’s likely that they’ll go through wackier situations that will escalate as the show progresses. It’s definitely something uniquely watchable, if you can handle the off-putting gore that’s part and parcel of Andy’s powers.

There’s a lot happening in Netflix’s first Hindi survival thriller series Kaala Paani. The main plot follows the discovery of a new disease with inky rashes that confounds scientists and policymakers, which would remind viewers of the botched response towards COVID-19, but there are multiple subplots including a love story with a traumatized former nurse, a family drama between separated parents and children, and the ecological commentary on the indigenous population that survived the disease once before. But Kaala Paani is able to balance these plots, tweaking the series’ disease to visually carry the show’s science in order to dedicate more weight to each subplot. It allows showrunner Sameer Saxena to play with more philosophical themes, and allows his compelling cast to play with more complex and dynamic roles.

Also known as Rabo de Peixe, after the real town where the series is based, Turn of the Tide follows a group of four friends, who dream of a life outside their hometown, where nothing ever happens. Except, something does finally happen, and it’s whole packs of cocaine washing up on the island’s shores. It’s a wild series, one where the show’s teen underdogs take advantage of sailing expertise and knowledge of the town in order to sell out one third of the stash from the mainland Italian mafia. And it’s one that is endlessly entertaining, as we hope for the four teenagers to succeed in their plan, and to escape for another life.

While live-action manga adaptations are known to have a bad rap, Netflix’s Trillion Game is quite entertaining. Striving to earn a million, maybe even a trillion dollars, is something that many people aspire to do, but the way Haru and the team do it is so unexpected. Ren Maguro keeps a great balance between Haru’s unpredictable yet charismatic nature, while Hayato Sano keeps the shyness of Gaku endearing. They go into the most random situations such as winning millions of yen in investments, going into a hacking tournament, and faking an AI. Is this really how aspiring trillionaires succeed? Maybe not, though they do teach some start-up strategies. But, it’s definitely still a fun ride as Haru bluffs his way into ballsy situations for Gaku to solve through computer engineering.

Like plenty of medical dramas, Daily Dose of Sunshine portrays the day-to-day dynamics of a hospital department, this time in the department of mental health in a country that has one of the highest suicide rates in the world. Based on the webtoon from a former nurse, the series might have some laughs from the department’s dynamics, but never at the expense of their patients. In fact, the show takes great care in depicting mental illness, taking care to visualize the patient’s episodes, as well as the way Da-eun tries to fit into her new department. It’s sweet and earnest, but not too cloying, and as substantial as the mugwort rice cakes Da-eun brings for her co-workers.

You know how How to Train Your Dragon has a town terrified of dragons, but it turns out they’re actually cute? My Daemon has a similar situation, except this happens after a nuclear explosion, plenty of these monsters are still murderously terrifying, and even the cute ones are fairly creepy. But that doesn’t keep elementary schoolkid Kento Tachibana from adopting one, even as they get hunted down by bounty hunters. The bond between boy and his daemon is a heartwarming one, but the treatment between the various monsters questions the different ways we treat different animals, and whether or not we can successfully live alongside them. With its unique art style, it’s a totally stunning adventure, though with some creepy crawlies along the way.

Demons don’t seem to have the same scariness that terrified previous generations. That’s because there are more immediate, realistic horrors that can possibly happen, like other people. My Demon takes a humorous approach to this diminished reputation, as the titular demon has his powers transferred to a modern day capitalist. Without these mystical powers, Jung Gu-won falters hilariously while collecting the souls he needs to obtain, while Do Do-hee remains confused as she’s dragged along to his shenanigans. All the while, they have to deal with corporate sabotage, the risk of spontaneous combustion, murder plots, and of course, the connection Jung and Do need. After all, who’s a better match for a demon than a capitalist?