100 Best Shows on Netflix Canada Right Now

What a great allegory for love this show is. It’s incredibly awkward and vulgar in the right places, best exemplified by dialogue scenes that are uncomfortably long and often uncomfortable to begin with. Our two lead characters are frustrating and manipulative, which might confuse you into thinking the show itself is frustrating because you see them so much, and sometimes it is. At which point, you might start to ask yourself why you keep watching, why you subject yourself to this emotional torture episode after episode, season after season—eventually, you stay for the other characters, they’re funny and don’t deserve to be abandoned.

There’s something strangely nostalgic about the show. From the bright and timeless youth fashion, to the atmospheric soundtrack (kicked off wonderfully by The Feminine Urge in episode 01), to the charming dialogue that keeps things simple—a lot of this show feels current and young, but inexplicably feels like a distant childhood adventure, as well. Its lead storyline (the current time) is seamlessly interspersed with visions of the cold case, but it still makes that distant timeline feel within reach. In terms of balancing the necessary danger of a crime series and the periodic comfort people crave, this show strikes gold.

During adolescence, teenagers get to learn and discover themselves and the world, but for most people, this means going through puberty, maybe taking up a sport or hobby, and not the occult vs alien shenanigans of DAN DA DAN. The science fiction-fantasy mix is unhinged and chaotic, throwing Momo and Ken directly into the worlds they didn’t believe in, and with each crazy encounter, they gain insane powers that are rendered into (literally) out-of-this-world, kaleidoscopic animation. But it’s their comedic dynamic that makes the show work, as each absurd situation pushes them to share what makes them vulnerable and challenge each other on their beliefs. DAN DA DAN is spectacularly unpredictable, and is a standout from 2024’s anime fall lineup.

It’s a tall order to depict One Hundred Years of Solitude. Considered to be one of the world’s most important novels to read, expectations were high, the magic realism required a hefty budget, and the sprawling seven-generation plotline felt like it couldn’t fit within a feature film, or around 90-120 minutes. It’s because of this that author Gabriel García Márquez held out on selling the rights, and the family followed suit after his death. Luckily, more than half a century later, streaming television garnered enough prestige and profit to finally adapt the classic. Netflix thankfully stuck to the family’s wishes of having it filmed in Spanish, in Colombia, with Colombian actors, but it also expanded on the layered text in ways video can only do so– like fleshing out the story visually and aurally, having an omniscient narrator, and taking advantage of the medium through editing, direction, and excellent performances from the cast. Cien años de soledad doesn’t just work– it makes it so much easier to understand hype and the themes for people completely new to the text.

From the Oscar-nominated cinematographer of City of God, this is a Brazilian Netflix TV show that I can only describe as a smarter Hunger Games. In a dystopian society, the majority of the planet’s population lives in extreme poverty while a select 3% (hence the title) live in a heaven-like world called “The Offshore”. Every year, the 20-year-olds of the planet get a chance to join the 3% in a selection process that for the first time might harbor moles. With an intriguing first episode that shares just enough to keep you informed but engaged, it’s easy to want to binge-watch the whole first season of 3% in one sitting.

Keir Gilchrist who you may know from the movie It’s Kind of a Funny Story plays Sam, an 18-year-old on the autistic spectrum trying to navigate the “typical” aspects of a teenager’s life: dating, independence, friendships, etc. Perhaps people dealing with autism can better attest to this, but the show feels genuine and realistic. Don’t get me wrong, it’s a comedy, but it’s a really heartfelt approach to the funny sitcom format. In a lot of ways, Atypical is the perfect 2017 Netflix-age coming-of-age sitcom: it’s funny and smart, but also keen to be realistic. And Atypical is about Sam’s family almost as much as it is about him, and how they adjust to his new quest for self-discovery. Look out for newcomer Brigette Lundy-Paine, who does an amazing job playing Sam’s siter Casey!

Three unassuming housewives team up with a violent street gang to make a little extra cash. What better TV show premise could you ask for?

Good Girls is the often hilarious, always thrilling show dubbed “Breaking Bad meets Thelma And Louise.” The three lead actresses are fun and have great chemistry together as they navigate a sometimes fast-paced show, and other times a family drama. 

And that may be the only issue with this show, it doesn’t exactly pick a lane. However, if, like me, you don’t mind a little Detroit housewive drama mixed in with your thrilling scenes, you’ll have a great time. 

This is Breaking Bad meets The Social Network. Based on a true story that took place in Leipzig, Germany in 2015, this show is about Moritz, a high-schooler who starts Europe’s biggest drug market online. He initially does this to impress his ex-girlfriend, who had just come back from the States with new drug experiences.

The transformation of a nerd into a drug kingpin is fascinating. But because it is based on a true story, there is an important nuance to that transformation. Moritz is rarely portrayed as a hero, and his creepy side is always present. This makes for an interesting and exciting plot-heavy show.  

With the deluge of hyper-stylized teen shows everywhere (but especially on Netflix), Teenage Bounty Hunters comes as a refreshing and welcome surprise. Sisters Blair and Sterling, played by Anjelica Bette Fellini and Maddie Phillips respectively, strike the perfect balance between spiky and endearing, creating a chemistry that’s rare to see among TV siblings. There’s friction but also love all around. 

Their interactions alone make the series thoroughly enjoyable, but their coming-of-age hijinks and comedic timing, especially around their reluctant mentor Bowser (Kadeem Hardison), make it an absolute must-watch. If you enjoyed Booksmart but wished it was more action-packed, you’ll surely love this show.  

Despite their rising popularity, K-dramas have sustained a reputation for being, at times, too sentimental for their own good. Extraordinary Attorney Woo is not exempt from that tendency, but when it does shoot for schmaltz, it makes sure to aim right at your heart. Thanks to clever twists and moving performances across the board, Extraordinary Attorney Woo is an excellently emotional series. Every romantic encounter will make you swoon, every courtroom scene will have you cheer, and every ending will leave you in tears.

Moreover, it’s not a show that simply happens to be about lawyers. It is a law procedural that deals with each new case with the utmost care. It’s smart and educational, with the proceedings and resolutions blending seamlessly into the characters’ own arcs.

There’s something for everyone in this series, and it’s sure to be an easy favorite for one reason or another.