While gay acceptance has been improving in most of the world, unfortunately, this acceptance isn’t universal to all sexualities and queer gender identities, especially for people of color. Femme depicts this difference through the relationship of Jules, a black gay drag queen, and Preston, a white masculine closeted gay drug dealer. As Jules deepens their relationship for revenge, and Preston opens up and allows himself to become more vulnerable, the film explores the way toxic masculinity and violence still dictates most of their dynamic, through an unsettling, sexually charged, stylish approach from the debut co-writers and directors Sam H. Freeman and Ng Choon Ping. However, Femme is particularly uneven, more focused on humanizing the aggressor rather than prioritizing the survivor.

The premise is so daring, I wish that they went even further with Jules’ revenge.