This animated movie is absolutely wonderful. It’s an Irish production, and the drawings/graphics are so beautiful and different from what you usually see in this genre. This alone, along with the music, would be good reasons to watch this.But what really makes this worth your time is the story – it’s about a boy dealing with the loss of his mother. He embarks on an adventure into a parallel world of feelings to save his sister.I found it to be refreshingly original, sometimes quite intense (I cried, but I easily cry), and heartwarming. The details are great. And I love the way the story was interwoven with Irish mythology, making it magical.
A heartwarming and (ironically) heartbreaking indie film based around the lives of Mary, an 8-year old girl from Australia, and her pen pal Max, a 44-year old man from America. The film follows these two as they deal with life's complications, from the perspective of a child and an autistic man. One of the most riveting and diverse films I've seen, with many joyous moments and cold plot twists. Would recommend 8 condensed milks out of 10.
A Franco-Gaelic animated film nominated for an Academy Award, the Secret of Kells certainly isn't your average Disney fare. Set in 8th century Ireland, it is beautifully animated, taking cues from ancient illuminated manuscripts and Gaelic folk art. Featuring a plot heavily inspired by Irish mythology, it tells the story of the Viking invasion of Ireland and the creation of the Book of Kells, an Irish national treasure. The world of the film pulses with the lush greenery of the island, populated by fairies, giants, magic and mystery.
In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.
Robert Downey Jr's triumphant return to film, this movie is a satirical take on film noir and detective movies in general. The screen chemistry between Gay Perry the private eye, played by Val Kilmer, and Downey Jr's robber turned actor, Harry Lockhart, is hysterical, and the film's tongue in cheek nature is witty, smart, and delivers. Directed by the man who directed Lethal Weapon, the action is top notch, the laughs are pretty much constant, and the mystery is compelling. It's mind boggling that nobody saw this when it came out.