It’s hard to pin point exactly what makes this movie so good. It’s an all-around “movie” movie. I think it can be called a buddy comedy because it is about two best friends who are also movers. It’s about their day-to-day, their families and their relationships. They’re both from the underclass of Oakland, and one of them is black, the other is white. And that’s where it stops being a comedy and becomes a more hard-hitting film. It illustrates gentrification better than any other movie I’ve ever seen. It has relevant and striking commentary on the main characters’ race, upbringing, and identity. But at the end of the day, it has a great plot, and for the most part it’s an easy-flowing movie. It’s half entertainment, half social commentary, and both parts are equally well-done. It’s like movie unicorn, and it’s perfection. One of the two friends is played by Daveed Diggs, who you might know from Hamilton.
Finnish director and megastar Aki Kaurismäki hits with yet another absurd but poignant movie. The Other Side of Hope is about a Syrian refugee and his journey across Finland, both the country and the culture, in hopes for a fresh start. It's a genuine and simple movie, played masterfully by a cast of newcomers. But in its simplicity, it elicits empathy on a subject that most of us choose not to dwell on nowadays. Aki Kaurismäki has the unbelievable skill of distilling tragic events into their humane component. A movie to give credit to, and to watch without any prior expectations - unless you're familiar with Aki Kaurismäki's previous work.
I always seek out Icelandic films; something about the quality of light and quirky sensibility that appeal to me. Having developed a fondness for sheep on a recent Welsh trek, "Rams" had a double attraction. A tale of brothers divided by life but ultimately united in and by their deep, tender, inspiring love of their rams. Close to perfection. Sigurdur Sigurdurjonsson is luminous in the lead role.
A wonderful homage to the woman, actress, and mother based largely on her own archives and interviews with her four children. Bergman was an avid photographer, filmographer and letter writer. What emerges is a loving portrait of an adventurous, driven, complex, and loving woman. Not to be missed.
Before you press play on this movie, I highly recommend you take deep, deep breaths. The suspense in it grows in such an incremental way that you will be out of breath before you know what happened. And it doesn’t use anything other than amazing acting and an amazing story to achieve all of this. One man, in the equivalent of a 911 police center in Denmark, and a room. That’s it. He receives a call that turns his night around and puts him in front of very important questions on his ethics and how far he can go to help the people that call him. This movie feels like it was made on a $100 million budget, but the reality was very far from that. It doesn’t even believe in budgets. Grab someone next to you and go watch it so that you can discuss it after.
An intimate look into the rich yet short life of Alexander McQueen, the British fashion icon. I didn’t know much about him prior to watching that movie, and that didn’t matter. His story of a tormented genius transcends fame and even time. In art and in fashion, McQueen’s journey was celebrated by everyone but him.This is the type of movie where after you watch it, you need a good hour of Wikipedia searches and Youtube interview viewing. It’s powerful and will introduce you to an entire world that is the impact of Alexandre McQueen when he lived.
Paul Giamatti, man. Ever watched Win/Win? What a performance. I didn’t think he could do any better than that. But here he did.This movie is now on Netflix. It’s about a couple that is trying to have a kid but can’t. Their frustration grows, but so does their willingness to do whatever it takes to become parents. They try to adopt, go to fertility clinics and ultimately ask their niece to donate her eggs. To really work, such a plot requires well-written, multifaceted characters one can relate to. I did, and it really worked.
In the year of the Netflix TV Show Maniac, another absurdist title stole critics’ hearts. Sorry to Bother You is a movie set in an alternate reality, where capitalism and greed are accentuated. Lakeith Stanfield (Atlanta) is a guy called Cassius who struggles to pay his bills. However, when at a tele-marketing job an old-timer tells him to use a “white voice”, he starts moving up the ranks of his bizarre society. A really smart movie that will be mostly enjoyed by those who watch it for its entertaining value, and not so much for its commentary. It is like a Black Mirror episode stretched into a movie.
Do you know that euphoric feeling you get when you watch a smart, eloquent person talk about important ideas? Multiply that by two in Best of Enemies.This 2015 documentary traces the debates between two of the brightest intellectuals around the Nixon and Reagan eras. Gore Vidal and William F. Buckley couldn’t be more opposed to each other in ideas and values. One is an ardent liberal, who wrote books and movies around gay sex (back in the 1960s), female empowerment, and the fall of the so-called American Empire. The second is an elitist and a Republican guided by Christian values and status quo ideals.ABC put them together as commentators the 1968 presidential debates, and as such, they would change the future of talk-show TV forever. They both considered debating a sport, and they both were the best in their craft. It’s so, so entertaining to watch them spar with each other. They despised each other, I know that’s not something I should be proud of enjoying, but I did. These debates were not so much a clash of tepid arguments but more of a clash of geniuses.
Leave No Trace is the amazing new movie from the director of Winter's Bone, Debra Granik. It's the story of a father and his daughter who live completely off the grid in a national park in Portland, and their quiet quest to not be separated and remain off the grid. It's not the sensational, tear-jerker story that you'd expect something with this premise to be. Rather, and like Winter's Bone, it chooses a humane and realistic approach to the subject matter. The decision to live outside society is almost irrelevant to this movie. More so, its inevitability for certain people with certain mindsets is what is interesting. A stunningly quiet movie, really well-acted too.