40 Best Series on Hulu Right Now

At once cynical and still in love with the glamor of show business, Difficult People puts a comedic target on absolutely everybody—celebrities, executives, and fans who love media as much as they hate it. Much of the series’ comedy comes from how its two protagonists (played with undeniable chemistry by Julie Klausner and Billy Eichner) constantly sabotage their own opportunities at success, as they get swallowed up in a self-cannibalizing ecosystem of fleeting trends and failed ideas. But even as Julie and Billy almost always come home defeated, there’s something touching about the unwavering strength of their friendship that gets them through each day. It’s an unexpected reminder of the real things and real people who are here now, laughing with us about the absurdity of it all.

Based on true events, the series follows the lives of Gypsy Rose Blanchard her mother Dee Dee, whose relationship is pushed to the brink when it’s discovered that Dee Dee has been faking Gypsy’s illnesses. The strange case that gained publicity following a viral 2016 BuzzFeed story and a 2017 HBO documentary works well as an absorbing, well-paced drama. Each episode is visually interesting, offering compelling imagery with a palpable tension. Haunting and spectacularly acted by both Patricia Arquette and Joey King, The Act is a highly-recommended television series, perfect for drama and true crime fans.

Imagine if the show Girls was Marvel-ized (or if you like, Derry Girls blended with Encanto): that’s kind of what this series is, but actually good.

It has all the trappings of a quarter-life-crisis sitcom—broke 25-year-olds with big dreams and little prospects living under one roof—while also being set in a world where everyday humans develop a superpower by the age of 18. The British series follows Jen, a late bloomer who has yet to find her power. Having had enough of sucky jobs and boyfriends, she sets out to discover her power in the hopes of finally knowing more about herself. It’s a bizarre premise with an authentic, endearing core that’s certainly worth checking out.

With years of films depicting Italian crime syndicates, most focus on their leaders – the Dons, the Capos, and the Consiglieres. Most of them focus on the mafia’s men. However, in this series, it’s the women who are the stars of the show. Based on the novel of the same name, The Good Mothers is a compelling crime drama, focused on the women, not the men, of the ‘Ndrangheta clan. It’s from their perspective we see the mafia. The masterful way the series unfolds makes it clear that their lives are constrained, that this dated way of life still prioritizes the family over their individual women. It makes it all the more satisfying when they’re given the opportunity to retaliate, and when they choose to take that opportunity. And it’s so much better knowing that this was real.

We don’t really know our parents the same way they know about us. Black Cake recognizes this, and takes that discrepancy to create a compelling mystery, expanding on that hidden world with themes of generational trauma, intercultural dynamics, and lost heritage. With the show doing justice to the book’s moments, the mystery of Eleanor Bennett’s former life is already compelling in and of itself, but it’s made even more so as her children try to make sense of it, changing their strained dynamic. It’s layered, well-written and deeply personal. It’s a unique story that has to be told.

Intricately constructed and unbearably suspenseful from beginning to end, the first season of The Promised Neverland is a masterclass in using the episodic structure of TV to maximize the effect of a mystery-driven thriller. By placing us firmly within the perspective of its child protagonists (who are, to be fair, incredibly smart and determined), every step towards freedom still feels like a shot in the dark, and every setback becomes increasingly more devastating. Even as the season hurtles towards its conclusion, it never becomes clear how much its characters will succeed, if at all. Intelligent editing and animation that goes from ominous to fully grotesque ensures that something always feels off or too good to be true, no matter what.

And it says a lot about the sheer quality of the first season that it’s still worth recommending despite a truly awful, rushed second season, which ignores its own themes and resorts to lazy animation just to get through the story faster. Viewed as a two-season series, The Promised Neverland can’t help but look disappointing, squandering an exhilarating first half with developments that lead nowhere. But even on its own, season one stands tall as a stunning achievement in anime—a self-contained story of selflessness and hope in the face of dehumanization and despair.

Dark Side of the Ring is where the comfort of pro wrestling and the mystery of true crime meet. The very premise of the series is that the wrestling industry is rife with with sketchy and downright depressing stories; and while it continues the tradition of depicting pro wrestling tragically (to great results), the episodes are streamlined and very consistent with having an insightful and balanced pool of perspectives. There’s a lot of details for wrestling fans to sink their teeth into, but for the true crime and mystery-loving crowd, expect baseline stories about drugs, self-destruction, and outlaw wrestling practices unless it’s one of those transcendent stories.

We follow the daily adventures of 3 bears that are individually lovable but collectively iconic. They rotate around as the centerpiece of an episode, each offering different flavors of humor namely dopey, slapstick, cringe, absurd, and when all else fails, funny animal. Some episodes take us into flashbacks of the bears as lost babies looking for a home, and it was a mistake to turn that into its own show, but it is in perfect quantity here. The recurring characters never overstay their welcome, changing the 3-person dynamic into even numbers where no character ventures off alone, or the inevitable 3 against the world, where the bears unite to overcome something else.

Unlike a handful of modern period dramas, Harlots isn’t flashy just for the sake of being flashy. It carries messages that (sadly) still ring true to this day, most of them about female bodily autonomy and the near impossibility of upward mobility. The show is smart about it, never preachy, presenting us with fleshed-out characters with contradictory ideals. Charlotte (Jessica Brown Findlay), for instance, craves freedom but enjoys the security being under a master affords her. Indeed the entire premise of the series is ironic: how can a show about female prostitution be empowering? By being relevant and relatable, as it turns out, and consistently impressive too. The show has garnered high ratings throughout its three seasons, though it unfortunately isn’t enough to convince Hulu for a fourth run. Their loss, this is the period drama that could’ve and should’ve given Netflix’s Bridgerton a run for its money.

During adolescence, teenagers get to learn and discover themselves and the world, but for most people, this means going through puberty, maybe taking up a sport or hobby, and not the occult vs alien shenanigans of DAN DA DAN. The science fiction-fantasy mix is unhinged and chaotic, throwing Momo and Ken directly into the worlds they didn’t believe in, and with each crazy encounter, they gain insane powers that are rendered into (literally) out-of-this-world, kaleidoscopic animation. But it’s their comedic dynamic that makes the show work, as each absurd situation pushes them to share what makes them vulnerable and challenge each other on their beliefs. DAN DA DAN is spectacularly unpredictable, and is a standout from 2024’s anime fall lineup.