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language: Tagalog

Among the sea of class satires released in the last year, Triangle of Sadness is one of the better ones. Directed by Ruben Östlund (The Square, Force Majeure), the film follows an ultra-rich group of people who get stranded on an island after their luxury cruise ship sinks. The social pyramid that has long favored […]

At times looking and sounding like a real Filipino action film from 50 years ago, while painstakingly edited to juggle storylines across several realities, Leonor Will Never Die is worth seeing for its originality and ambition alone. Among so many other films that function as sanitized “love letters to cinema,” this one bears the distinction […]

A great example of a documentary that covers a marginalized community without imposing the gaze of a detached, “superior” filmmaker, Last Days at Sea chronicles daily life in a Filipino fishing town but remembers to contrast its images of hardship with the care of a community. There are times when the film’s director, Venice Atienza, […]

Unlike in other films that only seem to evoke a previous era to make a target demographic feel warm and fuzzy inside, there’s something vaguely artificial about Death of Nintendo’s air of nostalgia—which is exactly what helps it tell its story. There isn’t anything particularly novel about this movie’s plot or characters, but Raya Martin’s […]

As courageous now as it was when it was first released domestically in the Philippines, Aswang stands as an essential act of bearing witness to a “war on drugs” that the government continues to deny or justify to this day. Director Alyx Arumpac remains firmly by the side of these ordinary people who have to […]

The Fabella Hospital in the Philippines is clearly overburdened and understaffed, and though it offers some of the lowest pregnancy delivery rates in the country, it remains unaffordable to most of its patients. It has been dubbed the world’s busiest maternity hospital because of this, and its boundless flurry of activity is what Ramona Diaz […]

The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte’s war on drugs (really a campaign to terrorize the poor into submission) as an […]

Clocking in at just over four hours and shot in vivid color, Norte, the End of History stands not only as Filipino auteur Lav Diaz’s best work since his earliest films, but as the easiest entry point into his unique filmography. Told on a sweeping yet intimate scale, the film has all the trademarks of […]

Based on the short story “God Sees the Truth, But Waits” by Leo Tolstoy, The Woman Who Left is a film about people with nowhere to go. Set in 1990s Philippines, the film follows Horacia, an ex-convict seeking revenge on her former lover who masterminded her unjust 30-year imprisonment. Along the way, she meets various […]

At the height of the 1997 Asian financial crisis, a small Singaporean family scrambles to keep their middle-class status afloat. The parents shave their expenses and work extra-long hours, but their busyness causes them to neglect their misbehaved son. When his misdemeanors prove to be too much, the mother is forced to hire a stay-at-home […]

The fantasy of being able to have the body you once had is impossible in real life, but we can watch it play out in fiction. While previous depictions of this idea rightfully point out ageism and how much worse people treat the old, Miss Granny also celebrates the wisdom and experience that could only […]

Filmed in 1970s Manila, at the height of dictatorship in the Philippines, Manila in the Claws of Night is above all else a political statement—against tyranny, yes, but more significantly, against imperialism, capitalism, and class divide. It’s a weighty film, but director Lino Brocka, with help from cinematographer Mike de Leon, balances his potent ideas […]