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Mood: Grown-up Comedy

One thing about director Sean Baker’s movies is that everything is rooted in class. Anora might charm as a romance, delight as a comedy, and dazzle as a realistic look into sex work, but at the end of the day, it’s a movie about labor, specifically exploitation labor, making the movie as painfully realistic as […]

When we think of biopics, we think of underdogs overcoming all odds just through the magnetic power of one’s voice or mastery of their instrument, with the accolades a natural reward for all they’ve been through. Kneecap is not that. The biopic about the titular Belfast hip hop act acknowledges the Troubles, but right off […]

Babes tells the story of Eden (Ilana Glazer) and Dawn (Michelle Buteau), codependent best friends who are forced to reevaluate their relationship when Eden finally joins Dawn in becoming a mother. While Eden learns how to be more mature and independent, Dawn struggles to feel like herself again after two exhausting pregnancies. Burdened by these […]

Sometimes, especially when you’ve gone without it for so long, you would do anything for a shred of respect. LaRoy, Texas depicts exactly that, with a store owner Ray being so unwilling to stand up for himself that his wife cheats on him with his brother, who steals from the family business. It’s a terrible […]

Between its maximalist production design and increasingly dark comedic set pieces, the most striking thing about Damien Chazelle’s critically misunderstood industry satire is how it strikes a tone closer to tabloid gossip than anything else. As opposed to the clockwork precision of Chazelle’s Whiplash, or the dreaminess of La La Land, Babylon’s restlessness doesn’t resemble […]

Among the sea of class satires released in the last year, Triangle of Sadness is one of the better ones. Directed by Ruben Östlund (The Square, Force Majeure), the film follows an ultra-rich group of people who get stranded on an island after their luxury cruise ship sinks. The social pyramid that has long favored […]

True to its name, Joy Ride is a raucous delight that has everything you want out of a road trip comedy and more. There’s love, sex, adventure, and even music, but most of all there’s friendship, the interesting complexities of which are explored against the backdrop of race. There’s something meaningful keeping everything together at […]

It’s always tricky translating literature to screen. In Shortcomings’ case, it struggles to make its Berkeley and New York settings appear more lived-in than just a few postcard-like frames. You could also tell that the conversations it stirs up about things like representation and mixed-race relationships began in the early aughts, when the novel it […]

The sooner you accept that Bottoms is not, in fact, rooted in reality in any way, the easier it should become to get on its wavelength for its uniquely absurd brand of comedy. This is ostensibly a satire, though it isn’t totally clear what exactly the film is trying to comment on. And its loosely […]

Sophia Castuera’s first feature after two indie shorts seems like a low-key affair, but it fits neatly into a canon of post-mumblecore, or a Gen Z mumblecore. It features a fumbling protagonist named Cal and played by Ali Edwards (who also wrote the script), a wanna-be actress fresh out of college who finds herself stuck […]

When vampires choose not to kill a human, it’s usually played up with so much drama, angst, and maybe a bit of romance. Humanist Vampire Seeking Consenting Suicidal Person on the other hand takes this choice as a comedic one. It may be a tad ludicrous for a vampire to refuse to drink blood on […]

Rarely do we get horror movies that are as dedicated to toying with audience expectations as Barbarian. Even rarer is a horror movie that pays so much attention to setting, and how men and women approach and interact with physical spaces in different ways. It’s a film that’s ultimately about entitlement—except it’s delivered to us […]