The key to what makes this apocalyptic thriller from Mr Robot and Homecoming showrunner Sam Esmail so unnerving is how resolute it is about not taking place in an alternate timeline. Making references to memorable events in recent history and namechecking real brands and cultural touchstones (like Tesla and Friends), Leave the World Behind is uncannily familiar — which, when combined with the film’s meticulous crafting of tension, makes it all the more unsettling.
Though taking place amidst an ambiguous national emergency, the film is largely set in one house — a claustrophobic setting that puts the characters’ self-conceits and prejudices under a microscope and forces them to confront their own impotence in an analog world. If it all sounds a bit “we live in a society,” be assured that Leave the World Behind cleverly manages to avoid the pitfalls of seeming like a bad Black Mirror ripoff by sidestepping expectations and deploying all the atmospheric tools in its arsenal. Withholding key plot and character information to increase our own paranoia means the movie always runs the risk of disappointment when explanations are finally given, but its focus on the human drama and its well-set-up ending ultimately eclipse any niggling frustrations.
"The film is able to turn what might literally be the end of the world into a gripping stage play because the four adults are so well-written. Ali steals the show as George."
— Christian Zilko
"This film feels like a more satisfying version of the not-dissimilarly apocalyptic, but ultimately preposterous “Knock at the Cabin” from earlier this year"
— Peter Debruge
A family's getaway to a luxurious rental home takes an ominous turn when a cyberattack knocks out their devices—and two strangers appear at their door.
When a communications blackout suddenly strikes their luxurious remote vacation, Amanda (Julia Roberts), Clay (Ethan Hawke), and their kids are forced to share the house they rented with its owners (Mahershala Ali and Myha’la), who have returned bearing unnerving news.
Crucial to the movie’s gripping effect is its all-too-rare use of the purely visual and aural elements of filmmaking. Tod Campbell's off-kilter cinematography (featuring frequently rotating camerawork and voyeuristic zooms) plus the jarring, jangly score by Mac Quayle set an instantly engrossing tone and magnify all the paranoia onscreen. If you’ve ever seen Esmail’s brilliant show Homecoming, you’ll know just how effective his direction is at wordlessly sowing the seeds of conspiracy — making for an unusually involving and deeply rewarding (if not exactly stress-free) viewing experience.
The irony of Leave the World Behind premiering on Netflix considering *that* ending is certainly something to chew on.
I hated the ending oh my bro it sucked
trash ending for sure
i feel like the arts-consuming public has lost their collective ability to watch anything with unanswered questions or something that’s visual beautiful and thought-provoking in favor of being spoon-fed the beginning, middle, and satisfying conclusion every damned time. i thoroughly enjoyed this film. it was weird as f*** in the best way, with killer cinematography + score. people, you’re missing the point.
No. This is nowhere near a terrible Shyamalan ending. The film has a credible ending and does not rely on a plot twist.
It’s neither random or heavily telegraphed like a Shyamalan film.
I cannot go beyond 10 first mins, it was sooo badly played, totally wrong and overplayed. The scene where the black couple arrives in the house is 100% NON credible. Pass your way.
worst movie I’ve probably ever watched
please remove it from this website… I just lost 2.5 hrs
The very worst. Another cash cow movie.
The entire movie, 2+ hours, felt like the buildup/setup that should have been about 30 minutes. Problem is, it never went anywhere. There was no middle or end to the story. Ridiculous.
One of the most beautiful movies that I ever watched.
Worst due to ending
Don’t watch it. Waste of lifetime.
This movie tries too hard but achieves too little.
A dense buildup that makes little to no sense, like a short story that was bloated into a full-fledged novel.
It’s still a decent movie, but that high of a score is undeserved, in my opinion.
This movie tries to be clever but ends up a hodgepodge of tried and tested tropes. White people bad, suspicious, exploitative. Black people angry, Hispanic people helpless. It also introduces Obama as a protagonist. It fails miserably in execution and the symbolism seems far fetched and contrived.
The movie could have been so much better but it relied too much on phony racial differences and plain dumbness, like Clay not being to find the town center which was on the main road.
This is phenomenal trash. I was wholly unamused and had to watch it at 1.5x speed to see if it would redeem itself. It did not. Stay Away.
The less you know about this film before watching it, the better. The suspense is its only redeemimg feature. The music and cinematography are fantastic but the narrative is ultimately a “what’s in the box” story, and not the surrealist-parable kind that you find yourself pondering months down the line. The treatment of conspiracies is thought-provoking, but things are said and done throughout the movie that go beyond “Makes you think” to “Why are they talking about or doing anything unrelated to different megalaphobic God events happening on the hour every hour.” It was not a good movie to watch. I won’t be returning to this website to look for such movies.
Worst movie with no movie plot ,no story, just waste of money and time
Lazy script, terrible acting. Why is this rated so high? Some pretty good actors, so makes me think it’s the scripts fault, not the actors. But god it’s so hard to watch.