50 Best TV Shows on Netflix UK Right Now

Produced by Ezra Klein’s Vox Media, an explanatory news site with liberal leanings, this may well be Netflix’s first successful attempt at a traditional weekly television show. And a news show at that. But as the title suggests, Explained doesn’t aim at updating you on current events, but takes short but in-depth looks at topics that tend to get overlooked in news cycles such as the racial wealth gap, monogamy, and the rise of cryptocurrencies. The idea is not unique. The only thing YouTube might have more of than make-up advice videos are explanatory monologues by self-declared Illuminati. However, those familiar with Vox Media’s previous outings on YouTube know to expect high production value, serious research, and digestible visual journalism at its best. Don’t watch it with your special uncle, though because he will start yelling at the television.

While this perspective on competitive sports is obviously unconventional, it makes perfect sense. Winners are boring. If you win, you win. The losers, however, have defeat to deal with. As the proverb goes, you learn little from victory, but a great deal from defeat. Director and creator of the show’s amazing animation, Mickey Duzyj, was inspired by a personal experience during a tennis tournament as a teenager. Each episode of this 2019 Netflix show tells a different story from a different sport. For starters, episode one looks at Michael Bentt, a world champion boxer who was forced into the sport by his abusive father. So, things do get dark, as could be expected, the storytelling is complex, but the message of Losers is as simple as it is wholesome. Like the characters and life stories it portrays, this show will pick you up when you are down!

On the surface, The Makanai is a simple, slice-of-life show about food and friendship. While it is that, to be sure, it’s also a substantial drama that tackles questions about art vs. love, and love vs. companionship, and career vs. purpose. Under the gentle guidance of showrunner Hirokazu Kore-eda (Still Walking, Shoplifters, Broker), who generously allows up-and-coming directors to take the helm on certain episodes, The Makanai feels at once light and hefty, comforting and challenging. We’re seeing mundane events unfold before us as if we were bystanders, but we also understand that there is so much more happening than what meets the eye. A prolonged gaze, a lovingly prepped meal, an especially sharp wing-eye, all of these have much to say about the state of mind of these girls.

It’s a supremely gentle and culturally rich show with a tender heart; a truly great watch on all accounts.

An amazing binge-worthy show that is a mix between a coming-of-age story, a romance, and a crime thriller. It tells the story of James, a 17-year-old who believes he is a psychopath (for some very convincing reasons). James decides he wants the victim of his first murder to be a new schoolmate, Alyssa.  He befriends her and keeps waiting for the perfect moment to kill Alyssa until he finds himself on a journey with her to escape her home. Somewhere near the middle of the show, and without you fully realizing it, it transforms from an original coming-of-age story or odd-boy-meets-odd-girl story to an intriguing view on adolescent insecurities and the role of parents into shaping them. It transforms from a mysterious, almost charming story to an interesting character study.  This is when the show will blow your mind.  It’s a fresh, smart, funny yet disturbing emotional thrill ride.

Nadia is a game developer and proud aging hipster living in New York. Her story starts at her thirty-sixth birthday party looking at herself in the bathroom mirror. On her way out, she finds a friend who hands her a joint laced with cocaine, “that’s how the Israelis do it” her friend says.

Nadia hooks up with a guy and they stop at a bodega on the way back to her place. So far everything seems normal (in a New York-hipster kind of way). But on her way out of the bodega, she is hit by a car and dies. The story restarts, at the same birthday party, staring at herself in the mirror.

Russian Doll can be summarized in what Nadia screams later that night: “the universe is trying to f*ck with me, and I refuse to engage”. Her strong personality and the events that happen to her allow the show to explore themes of vulnerability, trauma, and even life and death. Russian Doll repeats almost every episode, but its originality and plot twists make it more refreshing with every repeat.

This rhythm takes some quick getting used to, but the moment you do you will not be able to look away. Natasha Lyonne from Orange is the New Black is masterful at playing Nadia. She co-created the show with Amy Poehler and Sleeping With Other People director, Leslye Headland. She packs a lot of the originality and character that possibly makes Russian Doll the most fun and original show you will watch in 2019.

Based on the DC Vertigo comic, Bodies is an intriguing crime thriller with a unique twist – one body, in four separate time periods, being solved simultaneously all at once. While the show is triggered by the same body, the mini-series feels like four separate shows at the same time, marrying the classic Victorian detective mystery, war-torn film noir, and modern day police procedural through post-apocalyptic science fiction. And the four separate detectives take the helm of their respective side of the case, as well as how they deal with the discrimination against them. With four excellent strands to the same mystery, Bodies is an exceptional adaptation that demonstrates how even though details change, some things still remain the same.

Romantic comedies used to be a dime a dozen in the 2000s, but now it seems like a dying genre, filled with mere shadows of what once was. That’s why when a good one comes along, you recognize it immediately: a good romcom revitalizes our ideas of love and life. It’s injected with a freshness that makes old feelings seem brand new. You get that in the British film Rye Lane, the Apple TV+ series Platonic series, and the Aussie gem Colin from Accounts, to name some recent examples. You can also find that same spark in Nobody Wants This, a breezy and effortlessly funny romantic comedy about two star-crossed adults trying to make their relationship work despite family disapproval, work demands, and that nagging fear of being hurt once more. The series is helmed by an impressive roster of writers and directors including Greg Mottola (Adventureland, Superbad), Karen Maine (Obvious Child), and Oz Rodriguez (The Last Man on Earth). It’s reminiscent of the indie romcoms of the last decade while shedding some much-needed spotlight on middle-aged dating. My only gripe is that this would’ve worked so much better as a punchy feature film. Instead, it’s dragged to the typical Netflix length of 10 episodes, but at least each runs only for a breezy 30 minutes.

Since the 1960s, Flint, Michigan, has experienced a series of shocks. When General Motors downsized their workforce by several 10.000, the town’s population nearly halved. Unsurprisingly, it later became known for being one of the most dangerous cities in the US and for off-the-charts crime statistics. Since 2014, Flint again rose to tragic fame for a public health emergency due to contamination of its local water supply. Flint Town homes in on this perpetual state of crisis through the eyes of the local police department, who had to grapple with this dire scenario, while losing more funding year over year due to the city’s deteriorating financial situation. The few officers that are left for policing are at breaking point. The result is a gripping and rich docuseries with a host of strong characters. But it is also a brutal and sobering account of the extent to which an American city is being allowed to fail.

The latest addition to the murder mini-series genre is the incredible thriller “The Staircase.” It originally aired in 2004, but the producers took the same director and allowed him to add new episodes in 2018 to complete the story. 

The plot: A famous American novelist’s wife is found dead, and he is accused of killing her. His life comes under scrutiny as everyone asks whether she died in an accident or was murdered. If you liked their other hit, “Making a Murderer,” you will love this. You should also definitely check out “The Keepers” or Netflix’s binge-worthy crime documentary, “Evil Genius.”

There are only 20 seats in Formula 1 each year, meaning that drivers are not only racing to win but to be kept on the roster. With the big stars, Ferrari and Mercedes, habitually shrouded in secrecy, Formula 1: Drive to Survive focuses more on the back of the grid. Lewis Hamilton, the five-time world champion, is rarely seen, for example, giving more room for other stories to unfold, including that of Günther Steiner, the Italian team principal of the Haas Formula One Team. That is not to say there are no big reveals. Even if you think Formula 1 is a decadent, testosterone-driven sports for rich Europeans, Drive to Survive might be welcome crash course into what makes this sport so appealing for many and might also have the potential to change your mind. If not, it is still a very well-made, slick, and engaging docuseries that will have enthusiasts and newcomers thoroughly entertained.