At first, Little Forest seemed to just be a gentle film extolling the beauty of the countryside. Many a story has been based on that idea, and sure enough, the film does have aesthetic, gorgeous shots of the orchard, the lake, and the garden Hye-won ran back to, albeit with much more delicious food making scenes. But, as we get to learn more about her, the script subtly unfolds to reveal a personal family drama at the center. Moving back home, therefore, isn’t just to take a vacation– it becomes a meditative break for Hye-won to recreate, and thus, understand the choices her mother made, and it becomes a potent reminder of not just the pain, but also the good things that she left behind. Little Forest has plenty of the familiar countryside virtues of self-sufficiency, mindfulness, and community, but it approaches these themes in a more compelling way.

Kim Tae-ri.