Beautiful backdrop, beautiful people, ho-hum script and chemistry.
What it's about
On a writers' retreat in Morocco, a financier and a frustrated writer are drawn to each other, not least because they both feel lonely despite their lively company.
The take
Compared to recently released age-gap romances The Idea of You and A Family Affair, Lonely Planet feels more mature. Liam Hemsworth’s Owen is a capable financier without any manchild tendencies, and his attraction to Laura Dern’s Katherine has nothing to do, at least explicitly, with age. They like each other simply because they do. They look good, banter well, and are fresh out of long-term relationships. The film should’ve been smart, sexy, and breezy, especially with Susannah Grant (Ever After, Erin Brockovich) writing the script. Instead, Lonely Planet feels forced and clunky. Katherine is an author on a mission to publish, but we only ever get vague notions of what she’s trying so hard to write. A couple of lines feel AI-generated. Then there’s the wasted opportunity to explore Morocco beyond the beautiful but impersonal montage. Owen and Katherine have lofty conversations about the meaning of travel but fail to befriend at least one local. Their generous host doesn’t even get a proper introduction. Everything there is just theirs for the taking. Overall, this film feels like the first draft of a potentially tender romance. It’s entertaining enough, but nothing you’d fly for.
What stands out
I don’t know about you, but the real improbable fantasy here is that a group of writers can be this cool and mean and bully a blonde, buff, guy.