Biopics usually try to capture the entirety of a life, but on occasion, they try to capture that life in a snippet, in a short period of time that could encapsulate what the subject did and what they stood for. One such film that does this is Marshall. It’s not a bad idea to depict the first African-American Supreme Court justice through one of his numerous civil rights cases. It’s a straightforward way to depict his brilliance while also capturing the tangible stakes of every case he took on, and Chadwick Boseman captured that charisma through his excellent performance. That being said, given Marshall’s legacy, it feels disappointing to see his landmark cases only tacked on as a postscript epilogue. While a juicier case could have better captured the man, Marshall nonetheless works because of its performances.

The choice of the case. It’s interesting to see how this case was used to highlight the racism in the now more liberal East Coast, but given the fact that it’s one of the few cases that involved a white co-counsel, the film ended up devoting time to said lawyer when it could have entirely focused on Marshall. And reportedly, it didn’t even represent Sam Friedman accurately, given that he was already a trial lawyer at the time.