Matewan (1987) | agoodmovietowatch

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Matewan 7.5 1987 Movie

Matewan

Dir. John Sayles · United States of America · English, Italian

Coal miners fight for their rights in this bracing and ever-relevant period drama

Our take by Renee Cuisia

Matewan’s premise makes it prime for drama and theatrics, much like the many historical epics released in the 1980s. But Matewan isn’t quite like those movies. Instead of soap and sentiment, it’s stone-faced and straightforward, dialogue-heavy even, though that’s not to call Matewan boring. There’s a quiet poetry to its cinematography that makes Kenehan and the miners’ struggle for rights all the more poignant and meaningful. As one critic put it, it’s like a charcoal sketch come to life, at once gritty and beautiful. Matewan also remains relevant to this day because of its advocacy. Workers are still largely exploited and unprotected, their interests placed behind profits. Watching Matewan reminds you just how long the fight for safe working conditions and fair pay has been, and how important it is to keep going.

What happens

Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.

What the critics said

Notable Critics

"Matewan is a heartfelt, straight-ahead tale of labor organizing in the coal mines of West Virginia in 1920 that runs its course like a train coming down the track."

— Variety Staff

More about it

What happens

Based on true events, the film follows unionist Joe Kenehan (Chris Cooper) as he organizes the miners of Matewan, West Virginia, against the coal company trying to shut them down.

What sets it apart

The shootout scene. Iconic.

TL;DR

I wish I could say this film about workers’ rights is nostalgic, a mere reminder of a harsh past, but I can’t. The struggle for fair pay and treatment remains as relevant as ever.

Awards

Oscars

1 nom

Nominated: Best Cinematography

Cannes

1 nom

Nominated: Official Selection: Directors' Fortnight

Spirit Awards

1 win · 4 noms

Won: Best CinematographyNominated: Best DirectorNominated: Best FeatureNominated: Best ScreenplayNominated: Best Supporting Male

Comments

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About the author

Renee Cuisia

Renee Cuisia

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She's also seen You've Got Mail one too many times but is still convinced it's one of the greatest films out there.