20 Best 2023 TV Shows on Netflix Right Now

Life never goes the way we expect, especially for those who don’t have plenty of options. Because of this, parents strive to create a path for their kids to the best possible future they can manage, even if it causes some resentment. The Good Bad Mother portrays this, with some melodramatic flair, but the way the series tells its story is complex, layered, but totally compelling – as Jin Young-soon tries to reconnect with her son while also seeking justice for her husband, and Choi Kang-ho looks for family in any way he can. And it’s balanced with lighthearted humor and slice-of-life sequences that celebrate the lives of the ordinary people.

Copycat Killer is a gripping and unsettling crime thriller that takes its time to develop its characters and delve into a disturbing cat-and-mouse game between a relentless prosecutor and a manipulative serial killer. The show’s slow-burn approach keeps you invested in the characters’ journey, while the horrifying events remind you of the potential dangers lurking in the real world. With a mix of tension, manipulation, and grisly acts, Copycat Killer leaves you on edge, keeps you guessing at every turn, and serves as a reminder of the dark realities that exist in society.

Capturing the craziness of a political campaign, Wave Makers portrays a behind-the-scenes look of a fictional campaign team as they work to get their party elected. While branded as a political drama, the Taiwanese Netflix series focuses on the dynamics of its team members, starting with their day-to-day work – how they deal with on-the-spot PR issues, budget cuts, and negotiations – and ending the first episode with the personal issues that affect them, such as work-life balance, career growth, and personal revenge. Focusing on the team makes for an interesting approach in portraying how the personal affects the political, and the show easily balances these two through its well-written sequences and careful direction. It’s no wonder it’s already inspired a #MeToo wave in Taiwan.

Messier than Heartstopper, but tamer than Skins, Everything Now has everything you’d expect from a British teen show. Sexuality, vices, and experimentation is what the series shares with other coming-of-age series, but at its heart is Mia Polanco as she tries to get back to her regular life after anorexia recovery. Cutting between her life now and her seven-month hospital stint, the show feels like a realistic depiction of a non-linear healing journey. It’s a show that makes sense to release right now, as the world’s teens try to get back to normal and try to reach standard teen touchstones.

Reimagining a children’s classic as a mature serial killer mystery, PLUTO already had high expectations for its anime adaptation. The limited series adds an additional challenge, with only hour-long episodes dedicated to each of the series’ eight volumes, which follows not only Gesicht’s own investigation, but also in-depth stories of each of the remaining Great Robots. However, the anime, now showing on Netflix, is able to meet this challenge with its deep understanding of the source material. It’s not just a straightforward police procedural, or just futuristic dream of how AI and humans can co-exist. PLUTO is a robot series that strikes at the heart of what it means to be human.

Watching the trailers, and even the first ten minutes, Scott Pilgrim Takes Off just seems like a rehash of the prominent Edgar Wright film, especially since his cast reprise their roles in this new anime. However, when that episode ends, even the most ardent fans of both the film and the original comic book series would have no idea where this would go. It’s a fearless, daring approach, from the original creator Bryan Lee O’Malley, and it’s met with the wackiest, spectacular animation from Japanese animation studio Science SARU, remixing O’Malley’s designs with 8-bit, fighting video game action.

Even without doing the important and long overdue work of uplifting Native American voices, Dark Winds manages to be an intriguing mystery, layered with complex performances and bolstered by the majestic expanse of the American Southwest (in the ‘70s no less!). Finally released from the shackles of supporting roles, Zahn McClarnon shines here; he’s in top form as the gritty but softhearted police officer who protects his tribe from encroaching federal forces. The mysteries that propel the show are compelling too; they have the same beats as any you’d expect from a crime thriller, but they’re seeped deep into Native American mysticism, making them intriguing and wholly unique. 

Dear Child may be tackling difficult themes, including sexual violence and domestic abuse, but it’s not hard to watch at all. As a mystery, it’s well-told and gripping, with clues and cliffhangers appearing at just the right moment, and as a drama it’s expertly paced and brilliantly acted, with child actress Naila Schuberth, who plays Hannah, and Kim Riedle, who plays Jasmin, easily owning their scenes. Unlike other stories that decide to take on these delicate themes, it’s not gratuitous or exploitative either. Instead, it knows when to hold back and when to unleash the horrific details of its crimes. The sympathy it shows the victims is present but restrained, at least until the last few moments of the series. By then, the series, with full force, takes the victim narrative and excellently turns it against its head. 

With mass media’s misrepresentation of the Roma people, it was high time there was a show dedicated to accurate portrayal. Infamy is that show. As British-raised Gita moves back with her extended Romani family in Poland, we get introduced to Romani culture– their rules, customs, and art. This Polish Netflix series might even be the first time you’ll hear about Romanipen, the rules and familial principles that allowed them to survive. However, with Gita’s Western background, the show also depicts her immigrant experience, culture clash, and the discrimination of her people by the dominant Polish people. Mixed with hip-hop tracks from the UK, Poland, and the series’ original creations, Infamy takes a nuanced approach to Gita’s struggle and artistry.

Full of twists and turns, Queenmaker is a corporate turned political K-drama where a corporate fixer plays campaign chess against her former employers and retail conglomerate the Eunsung Group. Centered on her and the earnest human rights lawyer she’s trying to get elected, the show has Do-hee mentoring Kyung-sook in the art of PR, this time for the good. Even as the show reuses the genre’s classic tropes, the series’ plot points are entertaining, with each new twist naturally occurring as each side tries to dig dirt on the other and use it for political clout. It’s one of the most intriguing K-dramas we’ve seen this year.