20 Best 2024 Movies on Netflix So Far

At times of great societal turmoil, sometimes stars are born, not just to entertain the masses but to challenge the way things are done. Amar Singh Chamkila is one such star, and his music captivated all of Punjab in part due to his brash lyrics. His assassination remains unsolved, but director and co-writer Imtiaz Ali takes the event, and uses it to frame his life– the ways Punjab remembered him after death, the ways Chamkila showed his light as well as the ways he was limited by studio oversight and state censorship. The film isn’t a perfect contemplation of artistic freedom, nor is it the most comprehensive take on the singer’s life, but Ali’s direction challenges the way we view the artist and acutely recognizes the way stardom reveals the society’s conflicting desires.

Is this the most thrilling head-scratcher we’ve seen in a while? No. Is it a rousing take on the feminist cause? Not really. But what Wicked Little Letters lacks in intrigue and relevance, it more than makes up for in entertainment value. Not that anyone needs convincing, but here Colman and Buckley further prove why they’re some of the most in-demand actors right now. They’re raw and fiery and hilarious, energizing every scene with their limitless energy. They make the film a breeze to watch, so if you’re looking to pass the time with enjoyable performances, Wicked Little Letters makes for a solidly entertaining watch.

Real life violence is usually not a good idea, but when those in power would do anything to gain more power at the expense of those more vulnerable, sometimes those with the strength should wreak violence. After a fruitful action-comedy collaboration with Netflix, writer-director Timo Tjahjanto teams up with them again for a darker crime thriller The Shadow Strays. It’s a straightforward rescue crime thriller that follows the trend set by John Wick, but with Tjahjanto’s insane horror-inspired, gore-filled kills and Aurora Ribero’s dynamic performance, The Shadow Strays is brutal, exciting, and a cathartic watch in a world betrayed by those at the top.

The Euro 2020 finals was a cultural event, a celebration, a riot. This documentary perfectly captures the weight of the attack on Wembley, which it takes the time to characterize as like a holy ground being desecrated. But for the most part, the story spotlights the thousands of destructive drunks that needed to make it inside Wembley because of the magic in the air that day that you felt from every car on the road, every passenger on the train, every exploding glass bottle, and every bleeding individual. It’s got accounts from diehard English and Italian fans, Wembley security, and media personnel, which when put together, creates a fascinating stampede control documentary that also takes a sad turn post-game.

This story involves a jealous sister and a boy, which is enough of a foundation for a suspenseful story. Though a bit lacking in depth, onscreen interactions carry a lot of emotional weight and strike the balance of having enough said and unsaid. The upbeat pop hits and casual banter throughout goes a long way to at least break up the film’s heavy atmosphere. At its heaviest, it is raw and glorious in its unraveling, placing the ugly side of grief next to the alluring side of envy. But throughout it all, it treats the plot with enough respect to not just be some cheap glorified fantasy.

Far from a typical documentary, Skywalkers is as relentless and fast-paced as the climbers it follows. As Angela Nikolau and Ivan Beerkus illegally scale towers and skyscrapers with little more than the clothes on their back, Director Jeff Zimbalist throws viewers into the next thrilling scenario whether they’re ready to or not. It’s amazing how much of the breathless editing replicates the energy between Nikolau and Beerkus, regardless of whether they’re in action rooftopping or deep in an argument about trust and relationships. The film has a deep emotional core that makes it resonate more than it should; people might come in for the extremity of their sport, but they’ll leave learning something worthwhile about love.

This film is immediately charming and spends ample time taking you through the mind of Goyo, to where you see where the wheels start turning in his head for each new interaction. It captures his infatuation, obsession, discomfort, and panic, without overdoing or over-explaining anything. Goyo himself (Nicolás Furtado) is an excellent heart of the show with his friendliness and sincerity, but stealing the show alongside him are his and Matute’s (Pablo Rago) solid sibling dynamic and Saula’s (Soledad Villamil) ice cold confrontation skills when you get to see it. It’s a very sweet film that avoids being cheesy, and I imagine Goyo himself would find this movie to be decent if he saw it.

The documentary starts off with a feeler that this is a wild soap opera, a real life science experiment that cannot be enacted in good conscience. If you’d never read the blurb, you’d see the coincidences slowly revealed layer by layer until the story finally clicks. Early on, it feels reliant on telling as opposed to showing, but it could just be a case of working with what you have footage-wise. The openness of our main interviewees does get better with time, but the exploration of the psychological effect and implications of such an event was lacking considering the level of coincidence we’re dealing with. All in all, it’s heartwarming, albeit with the exciting story beats very spaced out.

Through dreamlike colors and tears clouding my eyes, Drawing Closer paints a painful depiction of persistence in love and death. Initially, a number of coincidences and significant details about our main characters Haruna (Natsuki Deguchi) and Akito (Ren Nagase) and their interconnectedness seem to sprout up conveniently, without much weight behind them. But once the ball gets rolling, the film is feel-good in the worst way, an emotional deathtrap, and the most dangerous movie in the world for those who believe in love, and those perpetually afraid of dying in an expensive deathbed. Just thoroughly devastating and beautiful. A 10 in my heart.

It’s hard to botch a documentary about Martha Stewart, she who lived so many lives (she was a model, a stockbroker, a convict, a homemaker, and now a TikTok darling) and she who came back from one of the hardest celebrity downfalls stronger than ever. Her life is a roller coaster ride and watching the documentary certainly feels like being in one too. Whenever Stuart dodged a question, director R.J. Cutler did well to zoom in on a twinge on her face or show a previous photo or clip that may reveal the answer. It’s well made that way. Only the prison scenes left a bitter taste in the mouth—why should I feel sorry for her hundred-day stint when so many other wrongly imprisoned women with less privilege are still stuck there?—but everything else about this dense portrait is very filling and entertaining.