100 Best Foreign Shows on Netflix Right Now

Any parent would defend their kid in court, though, sometimes it depends on the case. A Nearly Normal Family brings one such Swedish family through a case, as their nineteen year old daughter is accused of murdering a man, four years after the family decides not to prosecute their daughter’s rapist without evidence. The thriller series unfolds into a compelling murder mystery, as the show plays with the family members’ different perspectives that expands and continues the show’s intrigue, even if you think you have it all figured out. And as the investigation continues, the family’s secrets slowly get unveiled, threatening to break the Sandells apart, with their conflicting morals and unresolved trauma. While some viewers might not appreciate the slow burn, it’s an interesting crime thriller-family drama mix that questions how far we’re willing to go for our loved ones.

Viewers are familiar with cuisines around the world such as the food from France, Italy and Japan, but now it’s Filipino cuisine that takes the spotlight. Replacing Chef Chico portrays different Filipino dishes in each of its eight episodes, but these meals are great side dishes to sous chef Ella’s journey in managing the Hain fine dining restaurant. Alongside this journey of self-discovery comes heartwarming stories from the Hain restaurant’s customers, the receptionist’s cheeky commentary, and sweet tracks from Leanne & Naara. They all mix into a lighthearted, if a tad bit familiar, cooking drama series, and it does so with the breezy and calm attitude of lead character sous chef Ella.

When watching fantasy anime, there’s a wonderfully whimsical world that viewers can fully explore. Spectacular magic, brave warriors, and strange creatures are all expected, but every exploring troop needs supplies. Money, weapons, and of course, food are needed to survive the wondrous yet perilous adventures they set out to embark on. Delicious in Dungeon recognizes these practicalities, and creates a whole episodic adventure that focuses more on the possible food ecosystems of a fantasy world rather than the seemingly serious quests they embark upon. It makes for a slightly silly approach poking fun at the fantasy genre, but it’s definitely something unique, especially when it brings about mouthwatering exotic dishes made from monsters.

When a loved one dies in front of you, immediately, suddenly, and unexpectedly, the normal reaction is to freak out. Tore portrays a man, who, upon that death, turns back to his work, focusing on the logistics of the event his company is hosting. Tore’s grief isn’t the histrionics we’re used to– instead, it spurs him to seek out experiences that he’s not used to, given that he’s still living in his parents’ house at 27. This strange disconnect is compelling to watch, as the show studies the way he avoids anything related to the death, just to keep his normal demeanor, in a steady and economical way. It makes for a unique and honest depiction of grief that still packs an emotional punch.

With a turbulent publication history – rebooting three times with three separate publishers – the Netflix adaptation of Akuma Kun doesn’t have the exact same plot or protagonists. Instead of the original Shingo Umoregi from the 60s manga and 80s anime, this show hands it off to Shingo’s successor and son Ichiro, who conducts the same magical experiments but also investigates rogue paranormal activity. However, this anime doesn’t stray too far from the original, taking inspiration from the 60s with its ink scratched art style, and even calling back the original director and voice actors. It makes for a weird and quirky supernatural series that stands out from today’s anime, while still honoring the original creator, the late Shigeru Mizuki, on his 100th birthday.

Modern dating can seem so frustrating, because it feels like there’s a set of nebulous, unwritten rules behind it, and every single player in the game has different levels of awareness and variations to each rule. Turn to Me Mukai-kun depicts this through the titular office worker, who happens to be out of the dating scene for ten years. As he tries to go back into the dating market, he’s well-meaning, but totally ignorant, so he stumbles at certain moments in his quest to cease his loneliness. It’s very relatable, and Eiji Akaso’s doe-eyed cluelessness makes Mukai seem more endearing than foolish. While there are certain moments that falter, and certain relationships that lack a spark, Turn to Me Mukai-kun is a lighthearted yet unpredictable dorama that might charm you into binge-watching the whole series.

From Me to You: Kimi ni Todoke is a high school romance drama. It’s sweet, it’s wholesome, and it’s comfortingly familiar. It leans more on its romance than its comedy. It doesn’t have high stakes fantasy or action-packed battles, but it captures the high school experience in such a lovely way. Of course, the show would likely reach its romantic happy ending, but what makes the show compelling isn’t just the thrill of connecting with a crush– it’s the inspiration for Sawako to open up, and enable her to connect and have friends. The live action adaptation may not fully capture everything from the original and it speeds through the plot, but it retains the parts that make it work, even for viewers totally unfamiliar with the story.

Chicken Nugget is absolutely absurd. We’ve seen science fiction create fantastic, futuristic worlds and technology only today’s scientists can dream about, but we’ve never seen the genre delve into a silly premise like this, with two men protecting their loved one, who happens to be a chicken nugget. Some viewers might be put off by the absolutely over-the-top performances in the first few episodes, but consider: if your daughter turned into a chicken nugget, the daughter you’ve raised alone for years, and she, in food form, is always at the brink of being eaten, wouldn’t you too be rightfully distraught? Chicken Nugget plays on the hilarious ridiculousness of the premise, but it does have some genuine heart toward its wacky characters, a heart that’s slowly revealed after its first few episodes.

With Sweet Home and Stranger Things, we weren’t surprised that Netflix opted to create a live-action Parasyte, but we were surprised it comes from the other side of the sea. Based on the iconic Japanese manga, Parasyte: The Grey is a Korean spin-off with different characters but the same titular aliens, with a more serious approach to the concept. The series alternates between the Grey Team, the leading government agency that aims to eradicate the alien parasites at all cost, and with Jeong Su-in, who, like the original Shinichi Izumi, co-exists with her parasite, as they try to figure out their strange existence. Fans of the original might be disappointed at the lack of humor, but some viewers might appreciate the unflinching, gruesome way The Grey deals with the parasitic nature of human society, as well as the gross and scary transformations these aliens make of their hosts.

At first glance, 1670 seems to be a historical drama, with the actors dressed in fairly historically accurate attire, and the show being set in the titular year, just around after the late Middle Ages. However, the first few scenes disabuse us of the notion, as the eccentric Jan Paweł routinely breaks the fourth wall in order to introduce us to the family. While the sets and the costumes are of its time, the approach and events are not, as 1670 plays out like a reality TV show, with candid shots and interviews introducing the weird and fame-obsessed village inhabitants, satirically depicting modern day scenarios with a historical flair. While some of the jokes seem Polish-specific and they rely on breaking the fourth wall a bit too often, 1670 is a funny reminder of how good things currently are, and how silly we remain, through resituating modern petty grievances in medieval times.