100 Best Foreign Shows on Netflix Right Now

The real-life Tapie may be more or less interesting than the Tapie Laurent Lafitte brings to life in Class Act, but that doesn’t really matter. The series introduces the French tycoon as if he were a completely new character, which is helpful to those of us going in the series blind. There is drama, there is scandal, and since Tapie is so tied to French life, there is also history. But more than anything else, there is business. Tapie is by no means perfect, but he is a smart businessman, and Class Act’s sharp and strong writing brilliantly conveys the addictive highs and soul-crushing lows of commerce. Narrative cliches are inevitable, but that doesn’t make this well-crafted series any less enjoyable.

Capturing the craziness of a political campaign, Wave Makers portrays a behind-the-scenes look of a fictional campaign team as they work to get their party elected. While branded as a political drama, the Taiwanese Netflix series focuses on the dynamics of its team members, starting with their day-to-day work – how they deal with on-the-spot PR issues, budget cuts, and negotiations – and ending the first episode with the personal issues that affect them, such as work-life balance, career growth, and personal revenge. Focusing on the team makes for an interesting approach in portraying how the personal affects the political, and the show easily balances these two through its well-written sequences and careful direction. It’s no wonder it’s already inspired a #MeToo wave in Taiwan.

Full of twists and turns, Queenmaker is a corporate turned political K-drama where a corporate fixer plays campaign chess against her former employers and retail conglomerate the Eunsung Group. Centered on her and the earnest human rights lawyer she’s trying to get elected, the show has Do-hee mentoring Kyung-sook in the art of PR, this time for the good. Even as the show reuses the genre’s classic tropes, the series’ plot points are entertaining, with each new twist naturally occurring as each side tries to dig dirt on the other and use it for political clout. It’s one of the most intriguing K-dramas we’ve seen this year.

Life never goes the way we expect, especially for those who don’t have plenty of options. Because of this, parents strive to create a path for their kids to the best possible future they can manage, even if it causes some resentment. The Good Bad Mother portrays this, with some melodramatic flair, but the way the series tells its story is complex, layered, but totally compelling – as Jin Young-soon tries to reconnect with her son while also seeking justice for her husband, and Choi Kang-ho looks for family in any way he can. And it’s balanced with lighthearted humor and slice-of-life sequences that celebrate the lives of the ordinary people.

After the ending of the show Suburra: Blood on Rome, it had seemed like there was nowhere else for the franchise to go, with plenty of the main cast dead. But after three years, the world of Suburra is back on Netflix in Suburræterna, and despite the chaos that reigns in Rome, there are still opportunistic survivors circling over remaining scraps of control. One survivor is Spadino Anacleti, who, after he had left for a more tolerant Berlin, is now forced to return home, with no other suitable heir for the family. While new viewers might be lost with the names referencing previous characters, fans of the franchise would enjoy the way Suburræterna unfolds, as the Suburra story, inspired by the real life Mafia Capitale, takes on a life of its own.

When teens are superheroes, it can be tough to balance the regular teen drama along with saving the city (or maybe the world), but it’s a fairly common premise for a teen show. Miraculous: Tales of Ladybug & Cat Noir may take some familiar super teen tropes, like the secret identities, awesome suit-up moments, and cool powers, but unlike most shows, the enemies they fight are teens just like them, trying to deal with regular teen problems… except they’ve been given power and bad influence from Hawk Moth, an overdramatic supervillain that somehow keeps up-to-date to the latest drama in Marinette and Adrien’s Parisian high school. Playing with new powers and switching up the tropes, Miraculous is a fun gem of a kid’s show, one that pays genuine attention to kid’s issues, even if they solve it with the most ludicrous of powers and catchiest of songs.

There are plenty of divorce-related Korean dramas, but Divorce Attorney Shin is a gem among them. Based on the webtoon with the same name, the show is centered on an eccentric lawyer, whose trot-dancing ways and unconventional handling of clients doesn’t detract from his winning cases. Instead of the ruthless and collected attorneys we’ve seen previously, Shin Sung-han has a human side, a side that enables him to empathize with his clients. And like the lawyer, the show does the same, handling multiple cases, without discarding them by the end of the episode, and embracing its nuances in a well-rounded way.

Netflix is no stranger to adapting novels, nor to period dramas – Cigarette Girl is one of many, but it’s one from Indonesia that stands out due to its unique premise and excellent execution. Based on the novel by Ratih Kumala, the show is a slow-burn, smoldering period romance set amidst Indonesia’s kretek cigarette industry, booming in the 1960s, but it’s framed within the 2000s, where the man’s family uncovers his lost love before he dies. The alternating timelines keep the mystery fresh, as each new revelation uncovers what really happened between the two, as well as what would happen with the fate of their families. This intriguing structure, along with excellent writing, and stunning sets and costumes, make Cigarette Girl a compelling show to watch.

With an accounting mistake leading to being stranded in the desert, it’s hard to predict where VIVANT would lead us to. As corporate employee Yusuke tries to undo his supposed accounting error, he gets into a series of surprising events including having to negotiate with a terrorist, being accused of a bombing, and escaping to a Japanese embassy… and that’s just in the first episode. But rather than feeling overly complicated, the story feels exciting, like something akin to a spy thriller, with its large-scale sets, multi-country stakes, and the mystery of a secret organization. Vivant feels totally unexpected and out of left field, but it’s definitely a unique and entertaining watch.

Do we need to convince you about the spectacle of half naked, handsome, buff men wrestling? Like Flowers in Sand has plenty of that, with Jang Dong-yoon at the helm, but it’s more than just eye candy. It’s a warm, down-to-earth sports drama celebrating Korea’s traditional wrestling, set in the county that is known for ssireum. It has an intricate web of relationships that realistically depict the small town friend groups of childhood. And the cast is excellent, making each ordinary slice-of-life moment still feel compelling. Like Flowers in Sand may not have the crazy fantastical premises other K-dramas are known for, but it still feels unique with its straightforward passion of ssireum.