100 Best Foreign Shows on Netflix Right Now

When people donate to temples, they rarely contemplate the way these donations are used for its upkeep and renovation, and they would never think to imagine the possibility of profit. Netflix Thai drama The Believers centers on three young entrepreneurs, who, due to debt, decide to partner up with an abandoned temple as a money making scheme. It’s an audacious scheme, one that, of course, terribly exploits its devotees. But the show also examines the ways these schemes help draw genuine devotees towards the religion, creating a mutualistic relationship between the temple and profiteers that can’t be easily undone. With the recent fraud investigations around Thai temples leading to controversial imprisonments a few years ago, The Believers is a timely examination of a rarely examined issue.

This series is proof that no matter how silly or brutal things get, pro wrestling can always serve as someone’s sanctuary. Though they sprinkle in pixie dust to make the industry as sketchy, barbaric, and ambiguous as possible, there’s a sparkle to the show’s energy that makes it feel like you’re watching a sweet cinematic drama, or rather a dreamy depiction of the monstrous world of ‘80s joshi wrestling. Ultimately, they do a stellar job conveying intimacy in interpersonal drama and portrayal of combat (even when combat amounts to stabbing someone’s head with a fork), and taken as a whole, makes for such a breezy and mesmerizing pro wrestling drama.

TV nerds know that Orange is the New Black, as much as it’s hailed in the U.S. for being ‘crazy’, doesn’t deserve that title. It’s only a mellow take on the women prison genre that was perfected outside the States. The Australian show Wentworth is one example and Vis a Vis (or Locked Up) is another. The show starts with an inmate being boiled alive.

Macarena Ferreiro is set up by her boss/lover and ends up in prison for tax crimes. First naive and used to luxury, she has to adapt to harsh prison conditions, and harsher inmates. On the outside, her parents try to secure a large sum to pay her bail.

Glossy and intense, Celebrity strips away the glamour of influencer life by taking the allure of fame and weaving an entrancing mystery into it at the end of every episode. A-ri’s climb to the top is paralleled by the secret of her supposed death and return, which she reveals through a live stream. With a large cast, the intrigue never fully wanes as these influencers grate the nerves while contributing to their own demise. The promise of learning about everyone’s secrets and finally understanding how A-ri dies keeps you at the edge of your seat, even if the influencer angle feels cliche. 

There’s a lot happening in Netflix’s first Hindi survival thriller series Kaala Paani. The main plot follows the discovery of a new disease with inky rashes that confounds scientists and policymakers, which would remind viewers of the botched response towards COVID-19, but there are multiple subplots including a love story with a traumatized former nurse, a family drama between separated parents and children, and the ecological commentary on the indigenous population that survived the disease once before. But Kaala Paani is able to balance these plots, tweaking the series’ disease to visually carry the show’s science in order to dedicate more weight to each subplot. It allows showrunner Sameer Saxena to play with more philosophical themes, and allows his compelling cast to play with more complex and dynamic roles.

Also known as Rabo de Peixe, after the real town where the series is based, Turn of the Tide follows a group of four friends, who dream of a life outside their hometown, where nothing ever happens. Except, something does finally happen, and it’s whole packs of cocaine washing up on the island’s shores. It’s a wild series, one where the show’s teen underdogs take advantage of sailing expertise and knowledge of the town in order to sell out one third of the stash from the mainland Italian mafia. And it’s one that is endlessly entertaining, as we hope for the four teenagers to succeed in their plan, and to escape for another life.

Like plenty of medical dramas, Daily Dose of Sunshine portrays the day-to-day dynamics of a hospital department, this time in the department of mental health in a country that has one of the highest suicide rates in the world. Based on the webtoon from a former nurse, the series might have some laughs from the department’s dynamics, but never at the expense of their patients. In fact, the show takes great care in depicting mental illness, taking care to visualize the patient’s episodes, as well as the way Da-eun tries to fit into her new department. It’s sweet and earnest, but not too cloying, and as substantial as the mugwort rice cakes Da-eun brings for her co-workers.

You know how How to Train Your Dragon has a town terrified of dragons, but it turns out they’re actually cute? My Daemon has a similar situation, except this happens after a nuclear explosion, plenty of these monsters are still murderously terrifying, and even the cute ones are fairly creepy. But that doesn’t keep elementary schoolkid Kento Tachibana from adopting one, even as they get hunted down by bounty hunters. The bond between boy and his daemon is a heartwarming one, but the treatment between the various monsters questions the different ways we treat different animals, and whether or not we can successfully live alongside them. With its unique art style, it’s a totally stunning adventure, though with some creepy crawlies along the way.

Demons don’t seem to have the same scariness that terrified previous generations. That’s because there are more immediate, realistic horrors that can possibly happen, like other people. My Demon takes a humorous approach to this diminished reputation, as the titular demon has his powers transferred to a modern day capitalist. Without these mystical powers, Jung Gu-won falters hilariously while collecting the souls he needs to obtain, while Do Do-hee remains confused as she’s dragged along to his shenanigans. All the while, they have to deal with corporate sabotage, the risk of spontaneous combustion, murder plots, and of course, the connection Jung and Do need. After all, who’s a better match for a demon than a capitalist?

Succession, whether that be of family assets or of job titles, is always a tricky situation to navigate– often, those choosing a successor would have to check in with the possible choices next in line in order to make sure there are no resentment, otherwise, it could drive the hillside horror present in The Bequeathed. From passive-aggressive co-workers to mourning relatives, Yoon Seo-ha is having a terrible time dealing with the succession situation, both being resented by a superstitious half-brother for the land and resentful of a co-worker who got promoted before her. It’s so easy to suspect potential rivals, especially when murder strikes those around you, but The Bequeathed also recognizes something scarier– the fear of what you could do with that resentment.