100 Best Foreign Shows on Netflix Right Now

There are plenty of divorce-related Korean dramas, but Divorce Attorney Shin is a gem among them. Based on the webtoon with the same name, the show is centered on an eccentric lawyer, whose trot-dancing ways and unconventional handling of clients doesn’t detract from his winning cases. Instead of the ruthless and collected attorneys we’ve seen previously, Shin Sung-han has a human side, a side that enables him to empathize with his clients. And like the lawyer, the show does the same, handling multiple cases, without discarding them by the end of the episode, and embracing its nuances in a well-rounded way.

After a whole pandemic, rising inflation, and a whole climate crisis the world hasn’t yet resolved, it can be hard to feel hope towards a new day. However, the third collaboration between director Oh Choong-hwan and screenwriter Park Hye-ryun feels like a reminder to keep hope despite life’s circumstances. Castaway Diva has the classic manic pixie dream girl, but you have to admit that Seo Mok-ha’s optimism and survival instincts despite serious life circumstances makes it easy for her to root for. The way she appreciates what modern life has to offer makes it easy to appreciate how much good came up even just within 15 years. And with an unexpected mix of ecology and abuse themes, it stands out from other dramas, even when it gets instantly and unexpectedly serious.

After years of trying to regain sobriety, it’s totally chilling to wake up the next day, with no memory of last night, only aware that you failed to stay in control, again. Feedback follows a washed-up rock star trying hard to figure out what happened last night, but not just because it was an oopsie. Instead, for Marcin Kania, it’s the night his son went missing. With angry spiraling scored by electric guitar, temptations to drink abound, and the demeaning judgment of everyone around him, it’s hard for him to convince the cops to take this case seriously, especially when he only has blurry recollections of last night. But it’s easy to root for this unreliable narrator, who’s trying hard to be his best. He just might find him, but he might also find out what happened to the son he failed to guide properly, and hopefully redemption for how much he’s failed his family.

When a comedy is centered around people with disabilities, there’s a worry that the humor would be unfunny or demeaning – there’s a misconception that disabled jokes would surely have to be one or the other. But Nothing to See Here is funny without relying on stereotypes. The humor isn’t based on forced quips or halfhearted improvisations. It’s just part and parcel of a story about chasing dreams, seeking independence, and keeping faith in one’s self despite the limitations imposed by others. And through showrunners Big Drama and Santiago Limon, as well as the well-selected cast, it’s hilarious and heartfelt enough to follow.

Pokémon is one of the world’s most popular franchises, and it’s mainly centered around the idea of cute, colorful creatures with special powers to be caught, trained, and put into battles. Pokémon Concierge is a different side to the franchise, but instead of the high-octane action and world-ending fights, the four-episode series contemplates the idea that maybe these cuddly creatures need to rest too. As anxious newbie Haru adjusts to the laidback, paradisal resort, and acquaints herself with felt-fabric versions of the familiar cartoon creatures, Pokémon Concierge is an excellent reminder to enjoy yourself once in a while.

With the stakes involved in plenty of cases, legal dramas tend to be more serious and dramatic. However, sometimes, ludicrous events can happen in these courts, and they have, in real life. Maamla Legal Hai may not be 100% factual, but the way they mix and match real life legal headlines gets into unexpected, hilarious ways, poking fun at how ridiculous the Indian legal system can be. It might shy away from the serious cases, but Maamla Legal Hai smartly depicts the legal ecosystem, from the wily higher ups, to the idealistic newcomers, with unique charm and witty humor.

This series is proof that no matter how silly or brutal things get, pro wrestling can always serve as someone’s sanctuary. Though they sprinkle in pixie dust to make the industry as sketchy, barbaric, and ambiguous as possible, there’s a sparkle to the show’s energy that makes it feel like you’re watching a sweet cinematic drama, or rather a dreamy depiction of the monstrous world of ‘80s joshi wrestling. Ultimately, they do a stellar job conveying intimacy in interpersonal drama and portrayal of combat (even when combat amounts to stabbing someone’s head with a fork), and taken as a whole, makes for such a breezy and mesmerizing pro wrestling drama.

The episodes of Midnight Diner are just as heartwarming and assorted as the dishes the restauranteur known only as Master prepares for his customers. Much like short stories, they each have their standalone arc and specific conflict, but they all share the same connection: they take place in this diner, which is open only from midnight until early morning, and they follow the lives of everyday Tokyo citizens. There’s a broadcaster who seeks the warmth of tan-men after a busy day of work, a has-been comedian who steals his rival comic’s corndog, and a realtor who orders pork cutlets to win over lovers. They are mundane and relatable stories told with gentleness and depth, and ingeniously, they all go back to the dish of the day served at Master’s diner. For his part, Master helps these characters figure out more than just their orders by doling out advice in his own stoic yet sage way. 

It’s sort of like miso soup for the soul in that way; heartwarming and comforting, best served on a cold night.

Like the biopics of other musicians, Love After Music tracks the life of Argentine rock-and-roll musician Fito Páez. From his beginnings as a band keyboardist in 1977 to his 1993 solo concert for UNICEF, the mini-series delves into the themes and inspiration that drive his work through eight episodes. As Páez performs, the series flips between the song being sung and related flashbacks from Páez’s life, implying how Páez feels through images instead of dialogue. This approach can feel confusing at times, but it makes this account of his life a more personal and experiential biopic. Fans of the Latin Grammy Lifetime Awardee would most likely enjoy this series, however, for audiences unfamiliar with the singer, like myself, it’s still an interesting series to watch.

At first glance, Rough Diamonds seems to be a standard Netflix thriller with debts, deaths, and dirty deals. However, this Flemish-Yiddish series happens to also be a compelling family drama, centered around Antwerp’s Haredi Jewish diamond community. The series starts the season strong with the death that puts the family into chaos. It continues the series’ suspense with the return of prodigal son Noah, who, like Godfather’s Michael Corleone, initially disagrees with the family’s orthodox lifestyle, but can’t help but be drawn back to the family business. As the family scrambles to figure out their dead brother’s debt, they squabble with each other in a dynamic reminiscent of Succession, with an added organized crime twist. The resulting mix creates an intriguing thriller series that also happens to be a nuanced portrayal of a rarely portrayed community.