Pearl (2022)

Pearl (2022)


The technicolor slasher follow-up to Ti West's X is all about female rage and love for the movies

The Very Best



United States of America
English, German
Drama, Horror, Thriller
Alistair Sewell, Amelia Reid, David Corenswet
102 min


My god, Mia Goth!

What it's about

In 1918, Pearl (Mia Goth), a starry-eyed girl living at a secluded farm, dreams of becoming a star and no one will stand in her way.

The take

It's rare to see a prequel surpass its antecedent, but Pearl is that exception. You can watch it before or after X and still get the same satisfaction from piecing together the puzzle of Mia Goth's many roles (three in total across the trilogy). If the first film owed a lot to slasher classics like the Texas Chainsaw Massacre, the second (surprise!) channels The Wizard of Oz and nods to the splendiferous melodramas of Douglas Sirk. The jarring form-content opposition here makes sense, as we're seeing through the eyes of the main character, who most of all dreams of being in a movie. Because of that very same whimsy, everything has to change: the violence is not as explicit and the role of sex is brought to the forefront. All hail the new kind of final girl: a farm girl-turned-star.

What stands out

Mia Goth's intervention as both lead actress and co-writer shapes and sharpens Pearl, making out of it a mutli-layered exploration of womanhood in relation to exposure and performance. This is why Goth's own performance here stands out the most: she imbues the character with her own star persona qualities. Known for playing quirky, loud women (think A Cure for Wellness or Infinity Pool), the British actress here owns the screen, superbly so. Her Pearl is devoted to the point of mania, also libidinal and cunning. By planting her character development in an obsessive love for "the pictures" (or early cinema reels of the Tiller Girls), Goth finds a smart way to mock stardom as a concept while also securing her own star status in a superb role like this.


Add a comment




End of the Century (2019)

A quietly devastating queer romance that does everything with softness and sensitivity


The Zone of Interest (2023)

A chilling and masterful display of the banality of evil


Victoria (2015)

Filmed in one continuous take and in real time on the streets of Berlin, ‘Victoria’ immerses the viewer in a heart-stopping drama


No Dogs or Italians Allowed (2023)

Alain Ughetto remembers his family history in this charming, yet poignant animated drama


Head-On (Gegen die Wand) (2004)

This raw, punk drama about a star-crossed love in modern Germany is as timely now as it was when it came out


The Collini Case (2019)

A very satisfying German legal drama


Things to Come (2016)

A beautiful, bittersweet portrait of resilience


Toni Erdmann (2016)


Full Time (2021)

A gripping thriller about the Herculean task that is keeping a job


Jerichow (2009)

An erotic neo-noir thriller set in broad daylight by German cinema's finest


Curated by humans, not algorithms.

agmtw logo

© 2024 agoodmovietowatch, all rights reserved.