It’s kind of amazing how Johnson, who writes, directs, and stars in this feature, narrowly escapes narrative holes by being so darn self-effacing and likable. The female lead Maddy (Anna Kendrick) should be denounced as a Manic Pixie Girl, but because of Johnson and Kendrick’s overflowing charm, you don’t question the flimsiness of her character until much later on. The game itself should not make sense, but because Johnson is so committed in his physical performance, and so arresting in his charisma, all is forgiven. Self Reliance is like a tasty souffle that looks great at the moment, but left for longer, poofs and deflates. As long as you don't take it too seriously, the film should be a fun if forgettable ride.

The polarizing ending. Now, you could either hate it for its simplicity, or like me, you could love it for the same reason. Spoilers ahead if you haven’t seen the film yet! But I love how Johnson subverts the crazy plot twists you’d come to expect in thrillers like this by giving us an ending so mundane, so ordinary, it’s actually unsettling. You’re left searching for more long after the credits have rolled, which is more powerful feeling than what most films leave you with.