Rated 7+ IMDb · 70%+ RT Little-known finds Curated by humans
2025 Show
Chris Brancato & Paul Eckstein · United States of America · English, Portuguese
The unofficial prequel to Ridley Scott's epic American Gangster features gritty drama, great acting, better outfits, and a Swizz Beatz soundtrack
Viewers of American Gangster might have wondered about the fate of heroine kingpin Ellsworth “Bumpy” Johnson, who dies in the movie’s opening scene (of natural causes, mind you). On par with Al Capone or Billy the Kid, Bumpy Johnson was, in fact, a cult criminal and an underworld legend, but known almost exclusively to the people of Harlem, where he ran the drug trade for thirty odd years until the 1960s.
After receiving many nods in films like Hoodlum, Escape from Alcatraz, and Shaft, the story of Bumpy Johnson (played by Forest Whitaker, who also acts as producer) takes center stage in Godfather of Harlem. Co-created by the people behind Narcos, the series opens when Johnson is released from Alcatraz after a long sentence in 1963, when he returns to Harlem to find that much has changed. With the aid of civil-rights activist Malcom X (played, of course, by Nigél Thatch), an out-of-touch Johnson strives to reclaim his old neighborhood from the Italians in an all-out war.
Part deep-diving gangster epic, part 60s period piece with a modern sensibility, Godfather of Harlem has it all: gritty drama, great writing, swanky 60s style, and an awesome soundtrack.
Loosely based on infamous crime boss Bumpy Johnson, who in the early 1960s returned from ten years in prison to find the neighborhood he once ruled in shambles. With the streets controlled by the Italian mob, Bumpy attempts to regain his piece of Harlem.

WGA
1 nom

Bilal Zouheir is the founder of A Good Movie to Watch. He is US-based and a member of the Nevada Film Critics Society. He grew up in Morocco, where he learned English from watching movies. Bilal's work with A Good Movie to Watch is focused on offering an alternative to streaming algorithms, which are often used as commercial tools by streaming services.
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