Industry has all the markings of an HBO show: an abundance of sex, drugs, alcohol, and sure enough, an inextinguishable affinity for the F word. Like Succession, The Sopranos, and even Euphoria before it, it revels in its freedom to explore the nitty-grittiest parts of its subject matter and put its gruesome findings on full display. But instead of capitalism, organized crime, or teenhood, Industry incisively takes on hustle culture.
Through the eyes of four new hires at a premier investment bank in London, we see the dangerous means people put themselves through in order to achieve some semblance of respect, recognition, or at the very least stability. Bullying is rampant, hazing is normalized, competition is encouraged, and blind loyalty is rewarded. The characters are so flawed and damaged, you’ll often find yourself rooting for their demise. But you’ll also be glued to their arcs and storylines. Will they break the cycle of abuse or continue it? Can they actually change the system from within or does that remain a utopian dream? These questions are hardly charming, but Industry has a way of making them engaging, exciting even. It fully inhabits the meanness you can and should only enjoy behind the safety of a TV screen.
"it's definitely worth toughing out the endless lines of coke to see what happens next, but even in a typical year [Myha'la Herrold] would earn Industry the benefit of the doubt."
— Allison Shoemaker
"Glossed-over emotional turns and strong but understated performances (led by the one-to-watch Herrold) deter the narrative from delving into soapy territory."
— Amber Dowling
In the cutthroat world of international finance, a group of young graduates compete for a limited set of permanent positions at a top investment bank in London. The boundaries between colleague, friend, lover, and enemy soon blur as they immerse themselves in a company culture defined as much by sex, drugs and ego as it is by deals and dividends.
