Charles Wu is a genius to pitch his show idea as a novel with a screenplay format.
What it's about
Chinatown restaurant worker Willis Wu loves police procedurals, and wishes that he could be as important as the crime fighters he sees on TV. Unbeknownst to him, he’s a background character in fictional police procedural Black and White.
The take
When adapting a novel, television showrunners have to transform the text into video, so sometimes, things get cut, lines get shortened, and sometimes what you and the author imagine from the book doesn’t match up on screen. Luckily, for Interior Chinatown, that’s not the case– the novel is already in a screenplay format, and the mini-series is being handled by the very same guy who wrote it, Charles Wu. The satire novel was pretty experimental, so it’s no surprise that the series holds the same playful energy as the book, but this time, playing with stylistic expectations (see: every time the faux leads enters a room) and genre expectations to create a meta levelling up quest for a background character to finally shine through. And with a stacked cast (Jimmy O. Yang, Ronny Chieng, and Chloe Bennet), the humorous plot cleverly challenges the ways Hollywood has excluded and stereotyped Asian Americans, and the way this plays out in real life.
What stands out
Each episode title is the role Willis learns to play, and it’s just a novel way to structure the entire series.