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Sweet Tooth 2024

Beautiful, imaginative, and excellently crafted, Sweet Tooth is sure to sate any viewer's appetite for fantasy and adventure

Our Take (by Renee Cuisia)

Sweet Tooth is set in a post-apocalyptic America, where the population has been ravaged by a mysterious virus and the new generation of humans has evolved into animal hybrids. The circumstances are bleak and the things people do to survive even more so. Driven by fear and grief, they both isolate and attack in moves that are eerily reminiscent of the early days of our own pandemic. Sweet Tooth is a robust adventure story then, gritty and reflective and tragic, but it’s also incredibly sweet.

We’re introduced to a myriad of characters, each of them with their own arc, but we mostly follow Gus (Christian Convery), a nine-year-old human-deer hybrid who has yet to be disillusioned by the human race. Gus grounds the story’s many flights of fancy, and along with the other main characters, he gives us timely reminders of the importance of kindness and humaneness without ever being too corny. And to the show’s serious credit, no one plot line overpowers the other; instead, all feel just as vital to the larger story of survival that’s being told. 

The blend of these tales is lovely, the world-building is imaginative, and the technical aspects of it—the color, the costuming, and the cinematography—are all beautiful. Ultimately, Sweet Tooth is a packed a show wrapped in gorgeous layers, sure to delight even the most casual of viewers. 

Notable Critics

"A charming coming-of-age story wrapped in postapocalyptic tragedy, Sweet Tooth manages to address its horrific circumstances with tenderness and warmth."

— Oliver Sava

""Sweet Tooth" may not offer a full meal, but sometimes all you need is a good piece of chocolate."

— Ben Travers

Synopsis

On a perilous adventure across a post-apocalyptic world, a lovable boy who's half-human and half-deer searches for a new beginning with a gruff protector.

Awards

DGA

1 nomination

Nominated: Outstanding Directorial Achievement in Children's Programs

WGA

1 nomination

Nominated: Children's Episodic, Long Form and Specials

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About the author

Renee Cuisia

Renee Cuisia

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She's also seen You've Got Mail one too many times but is still convinced it's one of the greatest films out there.