The Handmaiden (2016) | agoodmovietowatch
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The Handmaiden 2016

Called a masterpiece by many, you are likely to decide to watch this twisted, sexy South-Korean thriller twice.

Our Take (by Bilal Zouheir)

The 2016 outing of South-Korean auteur director Park Chan-wook (maker of Oldboy and Stoker) once again shifts attention to the dark side of what makes us human: betrayal, violence, and transgression. Based on the 2002 novel Fingersmith by British author Sarah Waters, The Handmaiden revolves around the love of two women and the greedy men around them. Park shifts the novel’s plot from Victorian London to 1930s Korea, where an orphaned pickpocket is used by a con man to defraud an old Japanese woman. Routinely called a masterpiece with comparisons made to the likes of Alfred Hitchcock, this is a stylish and meticulous psychological thriller that packs enough erotic tension to put a crack in your screen. If you love cinema, you can’t miss this movie. You might even have to watch it twice.

Notable Critics

"The secret of the film, I suspect, is its love of secrets. The men and women guard their stratagems like jewels, and their lusts like hidden fires."

— Anthony Lane

"The love scenes between Sook-hee and Hideko are beautiful, explicit, and funny, displaying a candor about sexuality that's not intended to shock but to draw you in-it's the most normal thing about this flamboyant, acerbic film."

— Violet Lucca

Synopsis

1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to steal her fortune.

Awards

Cannes

1 win, 2 nominations

Won: Vulcain Prize for the Technical ArtistNominated: Palme d'OrNominated: Queer Palm

BAFTA

1 win

Won: Best Film Not in the English Language

Nat. Board of Review

1 nomination

Nominated: NBR Award

LAFCA

2 nominations

Nominated: LAFCA AwardNominated: LAFCA Award

Comments

  1. Typically, I would hesitate to watch any movies that are over 2 hours long, but this movie so engaging. The cinematography was unlike any other and everything–the costume, the set, the hair–was so aesthetically pleasing. This movie is easily one of my favorite movies.

  2. This film is an absolute masterpiece, the music, the costumes and the filming are just outstanding.

  3. This movie was not for me. Although I agree that it was well-made, there was a lot of very explicit scenes. I enjoyed the varying points of view, but this film moved very slowly, and the ending was ridiculous.

  4. Keeps you on the edge every moment. The climax is amazing. The mystery around the protagonists are portrayed very well. I like how our empathy shifts from one character to another as new truths are presented to us. We do not really know who has the upper hand till the end.

  5. This movie is beyond excellence. Every detail is perfect, and the plot keeps misleading you until the very end.
    However, you should watch this movie alone, as it does not lack explicit scenes, especially starring women only

  6. I thoroughly enjoyed the unfolding layers in this movie, which I did not expect. The characters were all equally interesting and I will be recommending it to my friends

  7. quite a disappointment. as much it is praised, i find it boring and senseless. Alltough it looks nice, there are way better korean movies. Do not be fooled by the famous director, it is a boring remake with unreasonable sex and torture. I guess these elements were needed because of the lack of everything else.

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About the author

Bilal Zouheir

Bilal Zouheir

Bilal Zouheir is the founder of A Good Movie to Watch. He is US-based and a member of the Nevada Film Critics Society. He grew up in Morocco, where he learned English from watching movies. Bilal's work with A Good Movie to Watch is focused on offering an alternative to streaming algorithms, which are often used as commercial tools by streaming services.