TINA (2021) | agoodmovietowatch
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TINA 2021

A stirring tribute to Tina Turner's music and inner strength in the face of trauma

Our Take (by Emil Hofileña)

A music documentary with its star as one of its main talking heads runs the risk of coming off like cheap PR, but Tina Turner’s own articulate insights never restrict this retrospective on her life. If anything, she assists directors Dan Lindsay and TJ Martin in expanding the film’s scope to cover the origins of rock music and the struggles of so many women in the public eye who only ever seem to be defined according to their abusers. Even if Tina is still ultimately a conventional doc that relies on interviews and archival footage, it has a strong emotional core that gives the film a relatively unique psychological edge.

Notable Critics

"It's only fitting that a woman who has spent so much of her life being controlled and misrepresented should finally get to tell her story her way."

— Leila Latif

"A beautiful, moving film that feels like a summation of who Tina Turner is, yet also still leaves viewers wanting just a little bit more."

— Jen Chaney

Synopsis

Tina Turner overcame impossible odds to become one of the first female Black artists to reach a mainstream international audience. Her road to superstardom is an undeniable story of triumph over adversity. It’s the ultimate story of survival – and an inspirational story of our times.

More about it

What happens

A documentary following the beginnings of Tina Turner's career, her liberation from her abusive marriage, and her battles with trauma late into her life.

What sets it apart

It says a lot about the film and about Tina Turner herself that if you're only here to enjoy her music, you still get treated to plenty of that. And if all this talk about abuse and trauma seems like it might get in the way of the songs, it really doesn't. In fact, the impact of seeing Tina sing her heart out so freely and so happily even in her later years is only enhanced by the knowledge of how much she went through—and how much the media constantly forced her to re-confront her abuse out in the open.

TL;DR

This is a predictable thing to say, but she really was simply the best.

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About the author

Emil Hofileña

Emil Hofileña

Emil Hofileña is a curator at A Good Movie to Watch. He also writes as a theater critic, with work published in Rogue and Out of Print, among others. He’s probably crying over a movie or an episode as we speak.