Unknown: Cave of Bones (2023) | agoodmovietowatch
Back
Movie

Unknown: Cave of Bones 2023

A documentary that skews away from objectivity towards self-indulgence

Our Take (by Kerine Wint)

Given the nature of the subject (the discovery of a species that predates humans), this installment of the Unknown documentary movies has more fanfare than its predecessors. The narrative never transcends positing that a Homo Naledi is just like Homo Sapiens, but not really. The experts’ enthusiasm is often unsettling when you quickly realize that no opposing view is mentioned. In other installments, the balance of arguments for and against discoveries made the narrative compelling. However, Cave of Bones is suspiciously wrapped in (and warped by) the need to have Homo Naledis feel different from humans. What is initially fascinating eventually lends itself to fatigue when discoveries and philosophized theories are repeatedly aggrandized. 

Synopsis

Scientists examine underground clues from over 250,000 years ago that raise questions about our early relatives — and what it truly means to be human.

More about it

What happens

A team of paleoanthropologists explore a South African cave to decipher their burial rituals and how it influences humanity today.

What sets it apart

Is the discovery inherently less compelling? No. Does it work without Lee Berger's charisma? Probably not, but we'll never know. Through their own admissions, the team notes the similarities between Naledis and other ancient civilizations yet insists on doubling down on their findings being unique. But the choice to centre the entire narrative on Berger's enthusiasm and somewhat ill-fitting animations insisting that a "human type species is not human but tells-us how human we are" is a valiant albeit questionable choice.

TL;DR

I may not be thoroughly convinced but now I'm in the Google rabbit hole. Touché.

Comments

Add your review

Your email address will not be published.*

About the author

Kerine Wint

Kerine Wint

Kerine Wint is a curator at A Good Movie to Watch. When she’s not absorbed in anime and weird docu-series, she reviews speculative fiction for Fiyah Lit Magazine or designs album covers and magazines. As for her film taste, One Cut of the Dead (2017), The Lure (2015), Inu-Oh (2021), and Dear Ex (2018) sum it up pretty well.