All the movies here are highly-rated (by both critics and viewers), little-known, and handpicked by our staff.
This list is ordered by most recent good movies, and therefore is not a ranking. Here are the titles considered as the best from the year 2017.
A Call me By Your Name without the privilege, pretentiousness or wealth, and it’s probably a better movie because of it. God’s Own Country tells the story of Johnny, a kid from the Yorkshire countryside and underclass. The family’s workload and responsibility fell on his shoulders after his father suffered from a stroke, which drove him further into loneliness and alienation. Upon meeting a Romanian farmer, his ideas of loneliness, sex, and intimacy are confronted with change. A beautiful and beautifully humane film, and an unbelievable debut by British director Francis Lee.
There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it’s also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters’ house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood’s best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting “things to happen”, but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses.
A hilarious and smart comedy that is almost impossible to hate. It doesn’t matter if you liked The Room or not; or if you’ve even heard of it, you will find The Disaster Artist extremely enjoyable. Same applies for James Franco, i’s irrelevant if you think he’s the hottest man walking or a complete waste of screen-time – this movie is better approached without any preconceived ideas. It follows the true events surrounding Tommy Wiseau’s making of The Room, a movie so bad it actually became a worldwide hit. Tommy’s character, played by Franco, is 100% mystery. He pops out of nowhere and does and says things that contain little to no logic. Capitalising on this, the movie to is both absolutely hilarious and intriguing from beginning to end.
A beautiful coming-of-age story that is mixed with one of the best depictions of a mother character in movie history both make Lady Bird an absolutely exquisite film. Its slice-of-life story taps into the universal issues, dreams, and frustrations that almost every small-town kid has faced; and it manages to do all of this without feeling forced or cliché. This is because of the attention and care that were given to it but also because of how tightly it’s based on the life of its writer / director Greta Gerwig. A wonderful movie.
Who doesn’t need a good 20 minute-per-episode comedy show in their life? We all do. The Letdown delivers on that front, but because we live in the age of the “cerebral” TV (or whatever you want to call it) it tricks you with some deep feeling stuff. It’s like paying for laughs. The show is about motherhood, as it follows a new mom and her struggle to cope with the demanding turn her life has taken. If you’re not yet a mom (for example, if you’re a man), this show will be really instructive for you; but if you’re a mom, you’re bound to see your experience portrayed maybe for the first time in an honest way. And with that honesty comes hilariousness on one hand, but also a lot of hard stuff (aka deep feeling stuff). A fun, real, and well-written show.
What happens to genius and complex filmmakers once they reach old age? Agnès Varda at 89 is one example. She maintains an interest in the same deep questions but portrays them in a casual way – basically tries to have a little more fun with things. She finds a friend in JR, a young artist with a truck that prints large portraits. Together they go around French villages (the French title is “Visages Villages”), connecting with locals and printing their photos on murals. Their interactions are researched, but not worked. In fact, they are deeply improvised. Because of this and because the movie is structured in an episode format, it will completely disarm you. And when you least expect it you will be met with long-lasting takes on mortality, loss, but also gender, the environment and the evasiveness of life and art.
A dramatic take on the life and capture of Ted Kaczynski, popularly known as UNABOMBER(UNiversity and Airline BOMber) from the eyes of an FBI profiler. Kaczynski was responsible for 16 bombings, and it took 17 years for the FBI to catch him. To date, he’s the target of the most expensive chase the FBI has ever launched. The show is not a mystery (facts are the matter of public domain) and doesn’t even pretend to be one. Instead, it focuses on the complex motives of the UNABOMBER, as well as the bureaucracy that the FBI ran through trying to catch him. It’s a really well-made, engrossing show that’s hard not to watch in one take. It’s 8 episodes of 40 minutes, so pick the time you start it wisely.
From director Noah Baumbach (Frances Ha, The Squid and the Whale) The Meyerowitz Stories is a beautiful family comedy otherwise known as that Adam Sandler that doesn’t suck. He plays a recently divorced man, as he usually does, called Danny (as he’s usually called). Danny moves in with his father, played by Dustin Hoffman, who himself is dealing with feelings of failure. As both of them are joined by other members of the family (including Danny’s half-brother, played by Ben Stiller), their family dynamic comes to the surface in a beautiful, sometimes very moving way. This is an amazingly tender movie in which Noah Baumbach proves he’s so good, he can make even Adam Sandler sound genuine.
Violent, very Western, and in a breath of fresh air: female. Godless is a show about strong bad-ass women that govern their own town in the late 1800s. Roy Goode is their visitor, an outlaw chased by another, much worse outlaw, Frank Griffin. It’s an honest and powerful show with some amazing performances, and even more amazing aesthetics. If you love Westerns but find them too predictable, this show was made for you.
A cynical down-on-his-luck Seoul taxi driver is hired by a German journalist to go to another town called Gwangju. What seemed like an easy and overcompensated journey at first takes him into the heart of a city under siege by the military. This is in fact the student uprising that will be a very important event in South Korean history, known as 1980 Guangju Democratic Uprising. Both the journalist and the taxi driver confront life-threatening situations as they find themselves at the center of the movement. A true-story-based movie, it’s a heartfelt and entertaining political drama about one of the bleakest chapters of modern Korean history. In 2018 it was the country’s official submission to the Oscars.
Smart, suspensful, original, and just all-around a perfect show. Money Heist (La casa de papel) is 13 episodes about a gang who embarks on the biggest heist in history – not just in their country of Spain but everywhere. Led by an enigmatic character only known as The Professor, the rest of the gang adopts city names: Tokyo, Rio, Helsinki, Nairobi, etc. Their roles in the heist are as different as their personalities and approach to relationships. The script is insanely suspenseful, super fast when it needs to, and painfully slow when you don’t want it to be (and when it’s perfect for it to be), taking you into the heist that quickly becomes a chess game between The Professor and the police. Be ready to get instantly hooked into a very binge-worthy journey. A truly amazing show, and one of the best if not the best heist TV show ever made.
Dark and almost too realistic, Wentworth is the women’s prison drama that we’ve all been waiting for. This Australian show might have the same set-up as Orange is the New Black, following a recently incarcerated woman as she discovers a new world, but the two series couldn’t be more far apart. Wentworth is more Breaking Bad than Orange is the New Black. It doesn’t follow people who are wronged by the system or who are misunderstood, but women that have actually done violent things, and continue being violent in prison. Everyone appeals to their dark side, and it’s almost impossible for any character to be redeemed in the viewer’s eye. The show’s biggest selling point though is that it never goes the violence-for-violence route, its immaculate character development allows to find reason and authenticity behind every act. This a true hidden gem.
Two Korean-American brothers run their family’s shoe store on the day of the 1992 LA riots. The day starts in their struggling business as they hang out with their friend – an 11-year-old African American girl – Kamilla. The Rodney King verdict is announced and violence breaks out. Written, directed, and starring Justin Chon, it’s a tight 94 minutes of impressive film-making that speaks volumes about America’s intra-minority race relations. It’s a work that elicits sympathy, and manages to uplift the violent event to a human level. An amazing movie.
On Body and Soul is the impeccably crafted winner of the 2017 Berlin Film Festival. Two strangers have the same dream every night, they meet as deer in a forest and eventually fall in love. When they run into each other in real life and search for the love they experience once unconscious, their introverted personalities as well as their surroundings add variables that make it hard to establish that same connection. This unconventional love story is beautifully and passionately made by Hungary’s best director, who had taken an 18-year break from making movies. When you watch it you will realize that her break was probably the only way someone could so creatively and tenderly make something like On Body and Soul.
A deeply affecting and meaningful documentary, directed by the woman who it revolves around. Jennifer Brea, a Harvard Ph.D student, begins suffering from unusual symptoms: prolonged and extreme fatigue, mental confusion, full-body pain, etc. When she goes to the doctor she is dismissed for being dehydrated and depressed. Later she finds an extended community suffering from her exact same symptoms, all of which fall under the umbrella of Myalgic Encephalomyelitis, more widely known as Chronic Fatigue Syndrome. She decides to tell their stories from her bed, and as such this movie is a collection of videos from her and her partner, added to the stories of others living with the disease. An important and inspiring movie that sheds a light on the lives of the millions affected by CFS around the world. Watch the trailer.
BPM is centered around AIDS activist in the early 90s in Paris representing the French branch of the advocacy group ACT UP. In a time where information about AIDS was as limited as access to the appropriate medicine, activists were divided into groups depending on their preferred methods of shaking up the system. Some wanted to express their anger at it while others tried to maneuver within it. But themselves being HIV positive for the most part, they shared a common sense of urgency and passion towards the cause. BPM is a beautiful yet honest portrayal of these activists, a movie as full of life and emotion as the people it portrays.