Normally, when your beloved wife dies in a car crash, you would be angry at the driver responsible, maybe even avoidant, sad, or incredibly triggered. Instead, in A Zed & Two Noughts, the twin zoologists with dead wives become addicted to the idea of life and death, obsessed with watching and rewatching the origins of life, captivated in photographing decay in time lapse, and strangely attached to the one-legged driver. Because of this, the film is quite bizarre, grotesque, and it definitely wouldn’t be for everyone, even for fans of Peter Greenaway. But the way it’s all filmed is striking, which is probably why Greenaway continued collaborating with cinematographer Sacha Vierny, until his death, and with the film’s unpredictability and excellent scoring, it’s hard to look away.

Greenaway being Greenaway.