Diego Andaluz: My Curated Picks on Streaming Services
Diego Andaluz is a freelance film critic, journalist, and podcaster based in New York, serving as Awards Editor at DiscussingFilm and Editor-in-Chief of The Global Film Show. His commentary has been featured in AwardsWatch, The Film Stage, Deadline, IndieWire, People, and Mashable.
Dick Johnson Is Dead is a heartfelt and unconventional portrait of how one can live life to the fullest even in their darkest days. Kristen Johnson’s follow-up to the highly acclaimed documentary Cameraperson, Johnson shows that her skills are no fluke as she crafts a witty film where she masterfully balances surreal tonal shifts to create a compelling experience. While it does have a repetitive nature, the final thirty minutes are heartbreakingly comedic, and make this one worth a watch!
Perhaps the most complete biographical drama of its year, Fosse/Verdon is a vast and brilliantly made artistic glimpse into the mind of a highly troubled genius. Sam Rockwell and Michelle Williams both deliver the performances of their lifetimes, and Thomas Kail (jumping from stage to screen for the first time) shows much potential as an exciting fresh voice in the genre. Successfully straying away from biographical cliches, its length is felt every once in a while during segments that come to a standstill, but overall, it aids in crafting an all-encompassing and risk-heavy piece of media that is worth a watch for those who are fans of film and theater, and are looking for greater offerings in the biographical genre.
The Weight of Gold is an extremely impactful insight into what goes through the mind of the highest performing athletes in the world, and focuses how their governing body (the US Olympic Committee) disregards care about their mental health. While it could benefit from going even deeper at times, it does benefit from having some narrative surprises in store—rarely seen in a documentary of this nature. When you least expect it, that gut-punch of a reveal at the end will truly shock and sadden viewers, and will leave one thinking about the film for ages to come.
Possessor announces a visionary new voice in Brandon Cronenberg, and is one to watch for the concept alone, brilliantly melding science fiction and horror into one. Cronenberg’s direction is reminiscent of a cross between Christopher Nolan’s Inception and Jonathan Glazer’s Under The Skin, but has more than enough originality to stand well on its own. However, unfortunately, it is surprisingly slow at times, and is far from the mind-blowing gore fest that was promised, resulting in a well made but underwhelming experience. BUT, if you were in the mood for a trippy introspective sci-fi thriller and are able to keep your expectations tempered, this is well worth a watch
Before The Rain is a very intriguing and unique film, to say the least. Its cyclical narrative structure may not be for everyone, it will puzzle most, leaving some in wonder while others fume at the illogicality of it all.
While the film’s general production values have not aged very well, its intercut story of war and romance is a timeless one, makes this film one that is essential viewing for all international cinema lovers, and serves as a great introduction to Macedonian cinema as a whole.
Barry Jenkins’ follow up to his award-winning film Moonlight, If Beale Street Could Talk is a highly compelling tale that explores the extent of the emotional consequences of racial injustices through the lens of a young couple torn apart by the judicial system. Staying faithful to James Baldwin’s original novel while adopting Jenkins’ signature melancholic style, it fails to reach the brilliance of Moonlight, but still stands strong enough on its own and successfully tugs on your heartstrings.