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When the love triangle is set between the most popular guy in school, his tomboyish best friend, and the beautiful principal’s daughter, Kuch Kuch Hota Hai unsurprisingly goes through the inevitable who-would-he-choose romantic storyline. We’ll say it outright: It should be cliché. And yet, we’re surprised to tell you that it works. Part of it is because of how it’s framed– before we get into the youthful shenanigans that plague schools all over the globe, we learn about them from the future outcome, namely from Rahul’s child, reading a letter from the mother that passed away. But even when we get into the overly glowy memories of the time, Kuch Kuch Hota Hai still feels different because of the way it cares about its characters. Neither Anjali or Tina are made into villains for no reason– they’re all friends that have fun together, have incredible chemistry, and care about each other. Maybe in another universe, they would have been polyamorous. Kuch Kuch Hota Hai somehow does the impossible in such a refreshing way.

Given today’s rising singlehood and reluctance to have children, family films like Parenthood seem to feel a little passé. Some elements, such as the reaction to Kevin’s need for psychological counselling, certainly are a little dated. But through the multiple branches of the Buckman family, Parenthood reflects the very same concerns that has led to today’s hesitation to have a family– the hopes and expectations each generation have with each other and themselves, and the disappointment we get when they’re not met. Even with how large the family gets, the film balances each story effectively, letting each branch have their own moment to shine. Gently poking fun at the mismatch, Parenthood finds humor and warmth in the effort they put in trying.

When the love triangle is set between the most popular guy in school, his tomboyish best friend, and the beautiful principal’s daughter, Kuch Kuch Hota Hai unsurprisingly goes through the inevitable who-would-he-choose romantic storyline. We’ll say it outright: It should be cliché. And yet, we’re surprised to tell you that it works. Part of it is because of how it’s framed– before we get into the youthful shenanigans that plague schools all over the globe, we learn about them from the future outcome, namely from Rahul’s child, reading a letter from the mother that passed away. But even when we get into the overly glowy memories of the time, Kuch Kuch Hota Hai still feels different because of the way it cares about its characters. Neither Anjali or Tina are made into villains for no reason– they’re all friends that have fun together, have incredible chemistry, and care about each other. Maybe in another universe, they would have been polyamorous. Kuch Kuch Hota Hai somehow does the impossible in such a refreshing way.

Usually, time travellers journey back to the past. This indie comedy takes the other path instead, with one samurai travelling forward to the 2000s. Luckily, he’s transported to the most fitting place in the modern era– a film set for a period drama set in the same time he came from. This unexpected journey is rather entertaining. On one hand, it’s hilarious to see him stumble, trying to make sense of the new Japan he’s in. His appreciation for today’s modern-day conveniences highlights how freedom ordinary folk now experience. On the other hand, the film juxtaposes his predicament with national history and the jidaigeki genre, grounding the comedy with the sincere belief in Japan’s ability to transform. A Samurai in Time takes a pretty funny premise to an entirely surprising conclusion.

In the fallout of his conflict with producer Tsui Hark, filmmaker John Woo was alone, virtually blacklisted, and unable to find funding for what could have been the prequel to A Better Tomorrow. Because of these circumstances, he self-funded this action thriller Bullet in the Head. Of course, it’s possible that the themes of brotherhood, loyalty, and betrayal are entirely coincidental, but nonetheless, Woo crafts a compelling narrative, helped by its haunting score and the tear-tracked performances of the three leads. Setting the film in the Hong Kong riots and Vietnam War, Bullet in the Head reveals how war never leaves any relationship unscathed, not even between those who proclaim to be brothers.

You can probably predict from the title that an accident starts this thriller but what happens after is totally unexpected. Of course, a car accident requires a visit to the auto mechanic, but in this film, this car check-up ends up becoming an unintended encounter with unexpected consequences. That’s because the mechanic recognizes the customer’s peg leg, the very same leg that he’s heard while being tortured in prison. Everything that happens, then, is a result of that past. Part of it is actually funny, with the tragicomedy poking fun at how totally unprepared Vahid is to enact his revenge, to the point he’s not even 100% sure he got the correct man. Still, however messy it gets, It Was Just An Accident never forgets the wrong that’s been done, and highlights the reparations Vahid and his fellow inmates should’ve gotten.

Warning: this film is incredibly gory, terribly gruesome, and horrendously disgusting. We urge you to go in without any food. However, if you do have a strong stomach, Send Help is such a fun ride. Flipping the corporate dynamic through an island survival tale, Send Help gleefully toys with the nature of power, as the new environment proves who truly has the capability, smarts, and guts to survive. It certainly brought out another side to Rachel McAdams, whose previous polished roles make her unkempt Linda rather unexpected, but she thrives in her character, totally transforming from awkward office worker to self-reliant final girl with a dark twist. Send Help isn’t afraid to get nasty, especially at the expense of a workplace bully.