Autumn Sonata

A film like Autumn Sonata shouldn’t work; on paper, it’s simply a confrontation between a resentful daughter and her vain mother. But in the masterful hands of Ingmar Bergman, their knotty relationship unfolds in thrilling, cathartic, and painfully relatable ways. Every accusation feels like a lashing. Every breakdown rips your heart. As a viewer, you sympathize with whoever is onscreen–that’s how real each character seems. You root for the neglected daughter, but also for the pianist who followed her heart and chose career over children. As with most Bergman films, Autumn Sonata feels like an evisceration of one’s soul, but it will feel extra relatable to those of us who’ve harbored secret resentments over our parents or children.

After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.