20 Best Foreign Movies on Mubi Right Now

This movie originally caught my eye for all the attention it got at the Cannes festival, but I assure you, all of the hype is more than warranted. Two Days, One Night takes you on an emotional journey with Sandra, recovering from depression and ready to get back to work, when she discovers that her co-workers, having to choose between receiving a bonus and Sandra keeping her job, hold her fate in their hands. And thus, barely convinced herself and with her husband as her only support, she sets out on an unlikely mission to convince the people to vote against the bonus so that she still has a salary.

This movie will strike a chord for anyone who has encountered depression or even simply tried to understand the abstract concept that it is. Marion Cotillard flawlessly portrays through Sandra the desperate struggle of having to put up a fight despite the utter hopelessness that she finds herself drowning in. At strife with herself, watching her try even though every cell in her body has given up, is gut-wrenching and awe-inspiring at the same time. Before long Sandra’s fight on the lay-off and on her own hopelessness seem to blur together. Whether she wins, is what keeps you hooked to the very end.

For better or worse, death strikes us all, fast and unexpectedly. It’s tough enough if the death is caused by ill health or accidents, but when premeditated by another person– it can be easy to lose faith in a higher power. Secret Sunshine depicts a grieving mother trying to start a new life in the countryside, though certain events make it tough to fit in. There’s a well-meaning, long-term bachelor who’s interested in her, though she’s not ready to reciprocate, and there’s townsfolk that would like to invite her to their church, though she’s reluctant to join. There’s curious, gossipy neighbors ready to comment on her every action. Secret Sunshine reveals a darker layer to the countryside towns we retreat to to cope, but it also examines the ways we grieve, cope, and deal with forgiveness, in a community that would prioritize itself at the expense of what’s morally right.

Polytechnique directed by Denis Villeneuve, is a dramatization of the 1989 Montreal massacre of multiple female engineering students. This film focuses on a male student navigating the massacre for the majority of the film’s run time. The performances and minimal dialogue in this film certainly make this an unnerving film to watch. Littered with the screams of the actors portraying the engineering students, this could be mistaken as a gaudy horror film. However, this is far from a fictionalized horror.

This Villeneuve classic is undoubtedly one of the most emotionally brutal films of the 2000s, yet I appreciate the honesty of the storytelling. Polytechnique encourages its audience to ask itself if it truly understands the truth of misogyny. 

When vampires choose not to kill a human, it’s usually played up with so much drama, angst, and maybe a bit of romance. Humanist Vampire Seeking Consenting Suicidal Person on the other hand takes this choice as a comedic one. It may be a tad ludicrous for a vampire to refuse to drink blood on ethical grounds and trauma, but writer-director Ariane Louis-Seize takes this silly situation with a compelling sweetness, depicting Sasha with a familiar teen uncertainty made much more captivating with Sara Montpetit’s gothic ingénue charisma. Humanist Vampire does take a more quirky YA romance approach than expected from the title, but it’s funny, charming, and totally something new.

Look, Short Sharp Shock is standard crime thriller stuff. The plot has been done before– an ex-convict trying to keep himself from the underground, but still gets pulled into it by his friends– and you can tell in some shots that it takes inspiration from classic American gangster films. But, by the time of its release, we haven’t seen this story in these streets before. Writer-director Fatih Akin takes this fairly straightforward story to his hometown and styles it with the eclectic mix of languages, sounds, and images that fits more closely to his German multi-cultural neighborhood. And because of the new setting, the gangster immigrant friends make certain choices that won’t be out of place for the genre, but are informed by and have additional stakes because of the cultures they come from. Short Sharp Shock is a familiar story, but it’s done well in a new place, with a new style, and with Akin’s affection for his hometown.

It can be very frustrating to watch something, hoping that the show, play, or film would be worth watching, and find yourself feeling worse after the experience. Most of us end up just changing the channel, leaving the theater, or finding something else to watch, but instead of doing any of this, Yannick depicts the titular audience member interrupting the show with a gun. You can already imagine how tense the situation is, but Quentin Dupieux infuses a comedic, meta touch in the way Yannick questions and holds the audience hostage, as his conversations with them and the cast reveal the different expectations we have from art.

Given that it is a modern day, colored film remake of a classic, Hara-Kiri: Death of a Samurai was always going to be compared to the 1962 film, especially since it’s considered one of the greatest Japanese films of all time. Admittedly, there’s not a lot added aside from the 3D filming, and for fans of director Takashi Miike, the remake is much more restrained than his other films. However, Nobuyasu Kita’s cinematography is striking, Ryuichi Sakamoto’s score is impeccable, and the performances still deliver on the film’s contemplation of honor, sacrifice, and the self-interest of the elite. Hara-Kiri: Death of a Samurai doesn’t compare to the classic, but it’s nonetheless a decent introduction for the generations that missed the original story.

While primarily a showcase of endoscopic footage of various surgeries in different hospitals throughout Paris—which should already be enough to either make you queasy or inspire introspection into the fragility of our lives—this singular, experimental documentary places all this bloodshed in the context of the mundanity of the medical profession. Much of the film is taken up by muted conversation from the surgeons and footage of elderly patients wandering around, creating an even more surreal look into the lack of support these hospitals receive. It’s far more abstract than it is educational, but its commitment to getting its hands dirty makes it an unforgettable experience.

We all know that remaining unmarried when middle-aged doesn’t mean one is lacking, but even when we can acknowledge how dated this idea is, for women, there’s still the societal pressure, the loneliness, and the feeling of having missed an opportunity to have children. Blackbird Blackbird Blackberry is centered on one such middle-aged woman living in a small town in Georgia, and she has a fairly peaceful life… until she nearly dies and shortly forms an attraction to another man. Director and co-writer Elene Naveriani takes her time to delve deep into Etero’s story, the complicated grief she has towards the men that have raised her, as well as the spite towards the arbitrary goals other women have reached and made fun of her for. The journey does take a rather slow burn, but it’s wonderful to see a film so empathetic and nuanced about this dilemma, and free from the judgment many women have encountered on this topic.

It won’t be a surprise that a movie titled Violent Cop would have a police officer smacking people left and right. But upon its release, Violent Cop surprised viewers when comedian Beat Takeshi took it upon himself to direct a moody, serious neo-noir where blood splatters come sparingly, knives are drawn on occasion, and the camera is much more interested in lingering between the men inflicting violence rather than flashy choreography– and somehow end up with a pretty solid effort. The film does have a somewhat familiar plot, but its bleak, depressing portrayal of how mundane violence has become makes Violent Cop such a brutal debut to watch.