It’s tough to compare to a classic, but this was not bad.
What it's about
Japan, 1635. After his clan lost its status and wealth, poverty-stricken samurai Hanshiro Tsugumo requested permission for an honorable end: to commit seppuku in the courtyard of prominent feudal lord Iyi Naotaka. Thinking this is a bluff to get money, senior retainer Kageyu Saitō tries to dissuade him, recounting a similar plea from a samurai months ago.
The take
Given that it is a modern day, colored film remake, Hara-Kiri: Death of a Samurai was always going to be compared to the 1962 classic, especially with the original’s status as one of the greatest Japanese films of all time. Admittedly, there’s not a lot added aside from the 3D filming, and for fans of director Takashi Miike, the remake is much more restrained than his other films. However, Nobuyasu Kita's cinematography is striking, Ryuichi Sakamoto’s score is impeccable, and the performances still deliver on the film’s contemplation of honor, sacrifice, and the self-interest of the elite. Hara-Kiri: Death of a Samurai doesn’t compare to the classic, but it’s nonetheless a decent introduction to the story for a generation that missed the original story.