That plot twist though… Both of them need therapy.
What it's about
Rotterdam, 1920s. Young lawyer Jacob Katadreuffe has done all he can to work his way up from poverty, though becomes the chief suspect of the murder of cold-hearted bailiff A.B. Dreverhaven, who was known as his rival, but holds a deeper connection that the police didn’t expect.
The take
When someone does everything they can to stop you, even to the point of irrationality, that’s hater behavior. This is exactly what drives Dutch-Belgian drama Character. The murder mystery, that is, whether or not Katadreuffe actually killed Dreverhaven, is surprisingly not the most interesting part about this movie– it’s actually what the hell Dreverhaven has against Katadreuffe, because, as the film unfolds, the petty, irrational actions the older bailiff done against the newbie lawyer starts to add up, piece by piece, to the point that this actually starts to matter in Katadreuffe’s life, to the point that it wouldn’t be a surprise if Katadreuffe actually killed him. Gloomy, moody zoom-ins into their faces emphasize the leads’ intense performances, which they infuse with an understanding of the stakes that aren’t obvious to even their own characters. Karakter adapts the bestselling Dickens-like novel with style and subtlety.
What stands out
The title is quite fitting, seeing that the characters are what makes this film work.