It makes sense that a documentary about Faye Dunaway doubles as a documentary about the best of late 20th-century cinema. Dunaway, after all, has starred in many defining films, including Bonnie & Clyde, Chinatown, and Network, the latter of which won her an Oscar. But there are times when it feels like the documentary equates Dunaway to her career, and we get way too many clips of these admittedly great films, as opposed to more intimate slices of Dunaway’s life. Still, it’s heartwarming to see Dunaway take control of her narrative after falling victim to the press’ relentless defamation of the star. Yes, she’s difficult and a diva, she admits that many times in the documentary. But she’s also a fastidious hard worker—someone’s gotta be, or else they wouldn’t come up with the classics that we have now.

Faye herself, who as her son puts it, is very much all her characters.