Sci-fi is already a pretty wild genre. Anything can happen in this fantasy world, so it takes a special kind of skill to make a new entry seem original once more. But Pantheon throughout its eight-episode run manages to be just that thanks to its resonant storytelling, inventive editing, and brilliant, heartfelt premise.
The scope of the story is as wide as it is wild: it’s about the unregulated rise of “uploaded intelligence,” after all, where human minds are fully uploaded and digitized for corporate use. Global tech companies are in an arms race to transform this discovery into weaponry, as they are wont to do, without giving mind to the human and environmental costs. Challenging them is the unlikely duo of Maddy and Caspian (Katie Chang and Paul Dano, respectively) who, as direct victims of this greed, have more than a few grievances to express.
It’s exciting to see how far the dystopia of Pantheon goes, but anytime it flies too high, it’s always grounded by the fleshed-out humanity of Maddy and Caspian. The series runs on their self-discovery and existential crises as much as it does on extraordinary circumstances. Expect to shed a tear or two while watching this series.
"There’s no denying that this show casts a unique spell that grows with each chapter."
— Brian Tallerico
"It’s a fittingly arresting start to this unnerving series, which taps an all-star cast to meld micro character work with macro questions about technology that may never have a satisfying answer."
— Caroline Framke
A bullied teen receives mysterious help from someone online: a stranger soon revealed to be her recently deceased father, David, whose consciousness has been uploaded to the Cloud following an experimental destructive brain scan. David is the first of a new kind of being – an “Uploaded Intelligence” or “UI” – but he will not be the last, as a global conspiracy unfolds that threatens to trigger a new kind of world war.
