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This untamed, high-octane portrait of the Belfast hip-hop trio Kneecap follows real-life members —aliases Móglaí Bap, Mo Chara, and DJ Próvaí, all playing themselves—as they forge a path from lost teens to unlikely cultural icons. Being the first hip-hop act is their native Irish, they’re met with disdain both from their community who think they […]

When two young brides are mistakenly swapped on a train, it’s a difficult situation, much more so when the brides in question are both veiled and wearing the same red bridal attire. This seemingly simple swap is the entire plot of Laapataa Ladies, but director Kiran Rao transforms this mishap into a hilarious, yet realistic, […]

Not everybody holds a good relationship with their sisters, but ideally, we get to reunite and repair things in a good time. Unfortunately, for some families, the only time they reunite is due to a parent nearly dying. This is the case in His Three Daughters, where the three sisters meet after years living apart. […]

In the Dead Talents Society, ghosts haunting humans are less of a scare, and more a performance that can grant fame and fortune in the underworld. It makes for incredibly charming comedy. It affectionately satirizes East Asian horror in such a fresh way, comparing a ghost being remembered to today’s social media influencers, with views […]

KPop Demon Hunters is adorable. The supernatural element adds an interesting twist to the familiar band plot, and writer-directors Maggie Kang and Chris Appelhans brilliantly depict K-pop fandom’s good and bad sides through demonic protection and possession. But it’s impressive how the film handles the storytelling, the music, and the animation. They all work in […]

To be honest, when the film starts out with all the usual Italian soundtracks and shots of Italian food, it felt like Nonnas was going to be stereotypical. To a certain extent, it is, with all the familiar story beats we’ve seen in other biopics. However, there’s a sincere understanding of what makes this real […]

We’re familiar with dick jokes from stand-up comedians, especially male stand-up, but Jacqueline Novak’s 90-minute show about the blow job feels completely new. Get on Your Knees feels like casual storytelling from someone experienced yet distant enough to be a cool authority on it (say, your best friend’s older sister’s best friend), but funnier. It’s […]

Demonstrating that a great stand-up routine should always stem from strong writing first and foremost, Brian Simpson makes common subjects for ridicule feel fresh again—just through how clever his writing is. Simpson seems to position himself from the same place where more controversial comedians punch down at women and at queerness. But he manages to […]

It’s What Inside can seem like another obnoxious movie about adults acting like teens, edited with enough neon glare and social media cuts to make it palatable to a younger crowd. But the horror comedy is more than just streaming fodder; it’s fun, funny, and clever, unfolding like a game night gone terribly wrong. There […]

Going to sleep is something we do every day, though, when we were kids, it certainly wasn’t easy. With family-friendly source material and a new (and adorable!) sleepytime ensemble, Orion and the Dark plays with this fact of childhood, but screenwriter Charlie Kaufman transforms it into something more as the title characters journey into literal […]

Frybread Face and Me is a little indie gem: though rough around the edges, it’s full of charm and heart. Drawn from its director’s own childhood experiences, the movie charts a formative moment in the life of Benny, a city boy of Navajo, Hopi, and Laguna Pueblo heritage who’s carted off to his grandmother’s ranch […]

Given the title, it isn’t surprising that Falling in Love Like in Movies would be a metanarrative with the main romance mirroring the filmmaking and the filmmaking reflecting the main romance. It’s a familiar approach, and at first, Falling seems to follow the inevitable ending where the couple falls in love, but right on time, […]

Hit Man is many things—a romance, neo-noir, comedy, and thriller. And though it sometimes feels like it doesn’t quite reach its full potential in all those areas, it’s hard not to be blown away by Powell’s Rolodex of characters and his palpable chemistry with Arjona. The story itself isn’t as sturdy as I hoped it […]

Mystery films and whodunits have placed the rich and powerful in their crosshairs for generations now, and Murder Mubarak proudly follows in that tradition through a tried and tested formula. So while there isn’t anything particularly surprising here, the film nails the tone it needs, smartly placing the focus away from the central crime and […]

Two people with different thoughts on love discover a common ground: they’re both anti-romantics. Realizing they got off on the wrong foot, they spend more time with each other and bond over realistic ideas of modern love. At one point, Maria (Rosalie Thomass) and Karl (Laurence Rupp) even diss romantic comedies for their cheesy music […]

Familiarity breeds contempt, and Swedish Netflix’s new horror-comedy takes this idea to the extreme. Based on the novel by Mats Strandberg, who’s known as the Swedish Stephen King, The Conference is centered around a group of employees on their company retreat. With its ensemble, the film crafts a relatable dynamic, with the exact petty back-and-forth […]

As host Hannah Gadsby explains at the beginning of this stand-up showcase, Netflix only really gave her and these other queer comedians this special after Gadsby sent a strongly worded message to the streaming service first. So as expected from a move that feels more like a business decision than a sincere gesture, Hannah Gadsby’s […]

Being an awkward comic is a very difficult trick to pull off; even self-deprecating humor and long, quiet beats in between jokes can’t just be used over and over. But while Ralph Barbosa’s incredibly chilled-out personality might not be for people who like their comedians loud and animated, his matter-of-fact punchlines and willingness to make […]

Friday Night Plan resembles many a classic teen film (most notably, Ferris Bueller’s Day Off and Booksmart), but it also doubles as a thoughtful inquiry into the delicate bond between siblings who could not be more different from one another. Sid and his younger brother Adi (Amrith Jayan) have different ideas of what matters most […]

Unfrosted is the kind of bonkers treat filled with movie references, physical gags, and too-many-to-count stars that’s easy to sink your teeth into and enjoy for what it is—in the beginning, that is. It’s helped by snappy visuals and a colorfully accurate rendering of the ‘60s too. But then it wears you down with the […]

In the same festival where she showcased her screenwriting chops, Rachel Sennott also showcased her dramatic side in I Used to Be Funny, a difficult drama that garnered less acclaim than Bottoms (2023). It’s understandable– while both films have a witty, gen-Z slant in its comedy, this drama is much harder to balance and heavy […]

Many comedians use humor as a way to ease into more serious subject matter, though there always exists a risk that a comedy special can skew too far down the silly or the self-reflective route. Mike Birbiglia has come about as close to the perfect balance as possible, in this recording of his one-man Broadway […]

Bank of Dave is a simple but well-told film that feels utterly satisfying from start to end. Dave is the little guy who only wants to give back to his community, but stopping him from achieving his noble goals are the big guys in suits with vested interests and too narrow a focus to appreciate […]

A young bisexual woman attends a shiva, caught between her parents and their expectations, her ex, and her sugar daddy. Rachel Sennott’s Danielle is yet to find her path in life and everyone is determined to remind her of that. Taking place almost entirely in real-time, the film’s sharp wit is contrasted with constant anxiety, […]

It’s always tricky translating literature to screen. In Shortcomings’ case, it struggles to make its Berkeley and New York settings appear more lived-in than just a few postcard-like frames. You could also tell that the conversations it stirs up about things like representation and mixed-race relationships began in the early aughts, when the novel it […]

If Red Ollero’s first special on Netflix doesn’t have the most consistent laughs or the most original punchlines to make, it still serves as a good introduction for users of the platform to crass, everyday Filipino humor. Whether due to editing or Ollero’s writing itself, there are a number of times during his set when […]

After Jackie and Spencer, the dark satire El Conde is a surprise new entry in Pablo Larraín’s stacked filmography. Already, the film has prominent differences– it’s shot in black and white, starting with narration from an unseen and posh Englishwoman that makes the film’s events feel like entries in Bridgerton’s scandalous newsletter. The subject is […]

Is this the most thrilling head-scratcher we’ve seen in a while? No. Is it a rousing take on the feminist cause? Not really. But what Wicked Little Letters lacks in intrigue and relevance, it more than makes up for in entertainment value. Not that anyone needs convincing, but here Colman and Buckley further prove why […]

An all-female action comedy that doesn’t get self-serious about the way it’s subverting the genre — Wingwomen feels like a breath of fresh air. It wisely grasps that plot isn’t paramount for a movie like this, and so it joyously dunks on cerebral scenarios with its unabashedly silly story convolutions, like when its professional thieves […]

A healthy mix of despair and self-deprecation has always been Bo Burnham’s signature, but Inside takes it to the next level. It’s a deconstructed film, rather than a simple one-night special; a one-man-show that constantly undercuts itself. Even more so, it sabotages its own immersive qualities and explores the depths of self-loathing by turning oneself […]

Nanpakal Nerathu Mayakkam might not immediately make sense to audiences new to director Lijo Jose Pellissery, but it’s still an interesting film that depicts Tamil culture. Also known as Like an Afternoon Dream, the contemplative bilingual film is centered around a prejudiced Malayali tour guide who wakes up as another man, specifically someone fluent in […]

Funny, refreshing, and heartwarming, You Are So Not Invited to My Bat Mitzvah gives the seminal girlhood film Are You There God? It’s Me Margaret. a Gen Z update. Stacy and her friends are constantly on social media and watch each other for potentially politically incorrect terms, but they also struggle with period pain, crushes, […]

Many movies try to be nostalgic, but few have come as close as Between the Temples. Directed by Nathan Silver, it channels classics like The Graduate, Harold and Maude, and early Woody Allen dramedies without trying too hard. It has the grain, patina, and camera movements of 60s and 70s movies, and its central love […]

Those who thoroughly and unironically enjoy romantic comedies will find much to like in Players. Sure, it’s formulaic and predictable, at times even unintentionally parodying itself by parading a plethora of romcom tropes and traditions (of course the leads work for a newspaper, and of course, the best friend is secretly in love with the […]

It’s slower and talkier than you’d expect from a semi-erotic film, but Ehnegard lives up to its title well enough to satisfy. It’s titillating, but in a cheeky rather than provocative way. The dialogues are lengthy, but they’re alternately witty and poetic, so despite the pace they never actually bore. Ehnegard’s real delight, however, is […]

If you’re new to the story, I Don’t Expect Anyone to Believe Me feels difficult to understand. The film adaptation portrays the novel through abruptly cut sequences, meticulously framed naturalistic frames, and monologue and dialogue that mean more than what’s being said, on top of Juan Pablo’s gradual descent into a criminal network. It’s as […]