Best Character-driven Movies to Watch | A Good Movie to Watch

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ICYMI

Good Movie

90% Vouch

Manchester by the Sea

A delicate and profound exploration of loss, and an unbelievably well-made drama, Manchester By the Sea is a true triumph. Its focus on the characters, its timely unfolding of story elements, as well as its world class acting are only equal to the best European dramas. This deep and slow exploration of the human condition has rarely been successful in American cinema, if ever. The last best attempt was probably another movie by director Kenneth Lonergan, You Can Count on Me. Manchester by the Sea is where he unveils his full potential, and takes the viewer deep into the tensions and history of a building handyman, Lee Chandler (Casey Affleck). His angry but quiet life is interrupted by news that his brother suffered a heart attack, and upon going back to his hometown he finds that he is the only one left to take care of his teenage nephew. A truly amazing movie, not to be missed, and a huge success too. It grossed around $80 million on a budget of $8.5 million.

Slow

Good Movie

78% Vouch

Fences

There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it’s also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters’ house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood’s best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting “things to happen”, but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses.

Best Film

90% Vouch

Gook

Two Korean-American brothers run their family’s shoe store on the day of the 1992 LA riots. The day starts in their struggling business as they hang out with their friend – an 11-year-old African American girl – Kamilla. The Rodney King verdict is announced and violence breaks out. Written, directed, and starring Justin Chon, it’s a tight 94 minutes of impressive film-making that speaks volumes about America’s intra-minority race relations. It’s a work that elicits sympathy, and manages to uplift the violent event to a human level. An amazing movie.

Foreign

Good Movie

89% Vouch

BPM

BPM is centered around AIDS activist in the early 90s in Paris representing the French branch of the advocacy group ACT UP. In a time where information about AIDS was as limited as access to the appropriate medicine, activists were divided into groups depending on their preferred methods of shaking up the system. Some wanted to express their anger at it while others tried to maneuver within it. But themselves being HIV positive for the most part, they shared a common sense of urgency and passion towards the cause. BPM is a beautiful yet honest portrayal of these activists, a movie as full of life and emotion as the people it portrays.

Foreign

Best Film

93% Vouch

Head-On (Gegen die Wand)

Two strangers in Germany deal with their Turkish identity in separate ways but are joined together when they agree to a fake marriage in order help each other break free. This is a dirty, gritty and heart-wrenching story about culture, love and the violence that unites them. Winner of a Golden Bear and “Best Film” as well as “Audience Award” at the European Film Awards.

Good Movie

71% Vouch

Following

Following is the first movie Christopher Nolan ever directed, a mesmerizing low-budget effort that introduced the world to the genius who will later give us Memento, Inception, The Dark Knight, and many other classics. Shot in “extreme” conditions to quote Nolan himself, for just over £3000, it had to be filmed in the span of a year on Saturdays only and in friends’ houses. But almost none of that is visible in the sharp camera work, the magnificent acting (most of it was first or second takes), and the twisted script. It tells the story of an unsuccessful writer (The Young Man) who tries to find inspiration in following random people in the street, and doing it via strict rules. One day he follows a man in a suit (Cobb), who catches him and becomes intrigued by him. It turns out that Cobb has his own fascination with people’s intimate lives, of criminal nature, which he lets The Young Man into. Using the same non-linear plot technique as in Memento, this movie is halfway between a thriller and a film noir. The inspiration for it came when Nolan’s own apartment in London was robbed, and he was fascinated by the act of strangers going through his personal items. If you take into consideration the conditions of its making, this movie is a masterpiece.

Drama / Mystery

Foreign

Good Movie

71% Vouch

Tokyo Godfathers

This is a great movie to watch on say a Sunday.. The story of three homeless people who find a newborn baby while foraging through trash on Christmas eve and decide to care for the baby and track down its parents. Middle-aged Gin, aging transvestite Hana and teenage runaway Miyuki form a makeshift family haunted by its members’ past and troubled by their present. As expected, Satoshi Kon (who also directed Paprika) delivers a beautifully animated story with unique characters and unique dynamics. The result is a very humane and moving animation, not to be missed by both Kon fans and those willing to be introduced to his style.

Animation / Comedy / Drama

Slow

Good Movie

78% Vouch

Paterson

An instant essential film in the Jim Jarmusch catalog. In his traditional directing fashion, Paterson disregards plot and instead finds inspiration in deconstructing the seemingly mundane aspects of life. Adam Driver stars as a bus driver and amateur poet who leads a content life staying away from change as much as possible. His girlfriend, Laura (played by Iranian actress Golshifteh Farahani), is the complete opposite: eager to be creative, to explore new paths, and to decorate and design every object in her life. Jarmusch takes these two characters, adds only a few others, and makes a movie that celebrates similar so-called simple lives, reaching surprising levels of beauty. Again, not much happens in terms of plot, and the pace is slow. But if you are interested in the kind of movie that will let you into people’s lives, you will love Paterson.

Comedy / Drama / Romance

Foreign

Good Movie

77% Vouch

Biutiful

Ever wondered how much your life will change when faced with the reality that death is about to come? That’s normal, and not nearly as life-altering as being told you only have a few more moments to live. Because of a terminal illness, Uxbal (Javier Bardem) is driven to this situation and tries to right his wrongs in the wake of modern Barcelona.
This melodrama is supercharged by Bardem’s unearthly performance as the story’s only hero, demonstrating the selfless love of a destroyed and dying father to his children – paired with cinematography unlike any other, this film is exceptionally beautiful. Directed by González Iñárritu’ (Babel, Birdman, The Revenant).

Drama / Romance

Foreign

Slow

Good Movie

79% Vouch

Toni Erdmann

Good movies usually aren’t lengthy movies, unless we’re talking about cases like Toni Erdmann. It’s a supremely smart German-Austrian comedy that depicts the story of a Father-Daughter tandem in light of life’s weirdest, most inconvenient moments. Deciding to visit his daughter on a whim after his dog dies, Winfried (Peter Simonischek)—a man known for his outrageous pranks and many a disguise—flies to Bucharest. Ines (Sandra Huller), the daughter, buzzing with work to the brim in a very challenging job, to say the least, isn’t impressed. This leads to even more uncomfortable encounters as the estranged father poses as the title character, life coach to the disapproving daughter’s boss. On top of being a shrewdly observed and relevant movie, the brilliant writing by Maren Ade crafts something thoroughly enjoyable and heartfelt here, highlighting the importance of family bond in an oddly sweet way, and criticizing modern-day work ethic and the toll its taking on us. The beginning is a bit slow, but if you’re a bit patient you will be surprised how much this movie will reward you.

Best Film

91% Vouch

Blue Jay

Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometown 20 years later. They talk, they get coffee, and then beer and jelly beans, until they find themselves to Jim’s mother’s house. As they familiarize themselves again, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.

Good Movie

75% Vouch

Pawn Sacrifice

Pawn Sacrifice is a period drama about famed chess player Bobby Fischer (Tobey Maguire), following Fischer’s rise from his childhood in Brooklyn through to his famed matchup with Soviet Grandmaster Boris Spassky (Liev Schreiber) at the 1972 World Chess Championship. The film captures Fischer’s adolescence as a time of burgeoning mastery of the game, while struggling in a fatherless home and beset by early signs of mental illness. Set during the height of the Cold War, tensions between the United States and Russia play a critical role in the story, as they fuel many of Fischer’s fears and anxieties over perceived Russian spying and surveillance. His paranoia reaches a fever pitch in Reykjavik, Iceland, the site of his famous duel with Spassky for the world championship, leading to a remarkably compelling finale. Writer director Steven Knight and director Edward Zwick have crafted a striking depiction of a real-life genius grappling with fraying sanity, and Maguire is stunningly evocative as the abrasive and acerbic Fischer. For the viewer, no advanced knowledge of chess is necessary to enjoy this vivid depiction of one man’s historical achievement in the face of profound mental disturbance.

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