For the longest time, women dedicated their lives to the family. So, after a divorce and after the kids grow up, it can be hard to imagine what happens after. Some choose to remain single, but for many women, it can feel like the start of another life totally lived for one’s self. Gloria was, then, one of the few depictions of a woman at this time, but writer-director Sebastián Lelio depicts this slice of life as is– without over-sentimentality, but with honesty; without pretentiousness, but with a calm and even direction. The slow, naturalistic approach might not be to everyone’s taste, but Gloria is a charming character study, made much more real with Paulina García’s excellent performance.
Synopsis
Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.
Storyline
Ten years after her divorce, free-spirited Gloria decides not to be alone and embarks on an intense affair with former naval officer Rodolfo, who she met in a disco.
TLDR
I mean… You can watch the English-language remake Gloria Bell (2019), but why bother when the original’s already good?
What stands out
Paulina García. This wouldn’t have worked without her.
