Modern day coming-of-age ennui isn’t a new subject at all, but there’s a charm to the way this was presented in Güeros. In his first film, Alonso Ruizpalacios beautifully shoots each scene in black and white, forming striking images of what the capital used to be and taking new approaches in depicting certain scenes (for example, that panic attack with the POV shot covered in feathers!). The cast also excellently portray this millennial emotion well, with their eyes glazed over as they try to seek moments of connection and grounding, as they try to make sense of it all. While some of the politics might fly under the radar to people outside the country, Güeros nevertheless serves as an interesting portrait of the time, as well as an interesting debut for one of Mexico’s avant-garde filmmakers.
"Seek this one out, then make a friend happy by forcing them to see it too."
— David Jenkins
"As self-aware black-and-white, nouvelle-vague-tribute fever dreams go, Güeros is surprisingly beautiful, inventive and convincing."
— Nick James
Set amidst the 1999 student strikes in Mexico City, this coming-of-age tale finds two brothers venturing through the city in a sentimental search for an aging legendary musician. Shot in black-and-white, Güeros brims with youthful exuberance.
Mexico City, 1999. Because of getting in trouble too many times, Tomas is sent to live with his older brother Sombra and his roommate Santos in the capital, leading them to a search for folk-rocker Epigmenio Cruz during the student strikes.
The framing for the shots are great! It’s the kind of composition that cinephiles would die for.
So, so beautiful.
Berlin
1 win
