Hard Eight (1997) | agoodmovietowatch
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Hard Eight 1997

Paul Thomas Anderson's first film is a small-scale crime drama with finely textured performances

Our Take (by Emil Hofileña)

Already featuring some of the desperation and melancholy that would go on to characterize most of his work, Paul Thomas Anderson’s Hard Eight manages to draw palpable suspense and drama out of, essentially, three characters and a couple of seedy locations. We learn perhaps too little about these characters and why this veteran gambler is drawn to a young homeless man, but there’s also something intriguing about how Anderson suggests much larger and much crueler stories going on just out of sight. It truly feels like these people are just trying to hold on to the smallest things that ease their pain—which works because of incredibly compelling work from Philip Baker Hall, John C. Reilly, and a young Gwyneth Paltrow already at the top of her game.

Notable Critics

"Hard Eight wouldn't be the compelling story it is without Philip Baker Hall as its center of gravity and values. Anderson wrote the script with Baker in mind, and it's about time somebody did."

— Richard T. Jameson

"In Hard Eight Anderson and his brilliant quarter of performers prove that they know a great many questions. This evocative, memorable movie would perhaps have been even better if it had left one or two more of the answers to us."

— Richard Falcon

Synopsis

A stranger mentors a young Reno gambler who weds a hooker and befriends a vulgar casino regular.

Awards

Cannes

1 nomination

Nominated: Golden Camera

Spirit Awards

5 nominations

Nominated: Best CinematographyNominated: Best First FeatureNominated: Best First ScreenplayNominated: Best Male LeadNominated: Best Supporting Male

Sundance

1 nomination

Nominated: Official Selection

LAFCA

1 win

Won: New Generation Award

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About the author

Emil Hofileña

Emil Hofileña

Emil Hofileña is a curator at A Good Movie to Watch. He also writes as a theater critic, with work published in Rogue and Out of Print, among others. He’s probably crying over a movie or an episode as we speak.