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Isle of Dogs has all the hallmarks of a Wes Anderson picture—it’s stylish, otherworldly, and deadpan hilarious. But the film is also uniquely its own thing, a stop-motion animation deeply and gorgeously immersed in Japanese history and lore. Instead of merely relegating culture in the background for mere aesthetic purposes (as Anderson has done in the past with The Darjeeling Limited), culture here plays a vital role in the adventure and overall plot of the film. It’s up to the viewer to decide whether Isle of Dogs is a case of appropriation or appreciation, but what can’t be denied is that this is a movie with a strong and unforgettable bite to it.
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