Based on the book by John Le Carre, this slow-burning thriller tells the story of a half-Chechen, half-Russian immigrant suspected of terrorism, who is suddenly spotted in a big German city trying to get his hands on money that was left to him. Gunter (played by Philip Seymour Hoffman) is the head of an international counter-terrorism unit created after 9/11 to spot threats like these early on. Whether this man is a terrorist or not, what he is doing in Germany, how he fits in the grand scheme of things, and whether Gunter will succeed in his efforts – all of these are questions you will be begging to find answers for. Witty, supremely acted, and with a very provocative story line, A Most Wanted Man is perfect if you’re in the mood for a sharp thriller.

Elizabeth:

Joseph Gordon-Levitt plays a high schooler trying understand his girlfriend’s disappearance. Film noir style with excellent dialogue.

Ian:

Murder mystery from the perspective of an oddball kid in high school. All of the evidence seems to point him back to one person in town.

Karch: 

A new-age noir film follows a high-school detective trying to unravel what happened to his ex-girlfriend through the mysterious underground drug ring at his school.

One of The Drop’s many strengths is its dark, clever, yet compassionate script. It will take you into the heart of the Brooklyn crime scene through the characters and their respective more or less fragile lifestyles. The extremely good performances, however, soon become the focus and attire of the film. James Gandolfini couldn’t be more at home in this context and excels with his usual menace, yet somehow relatable presence. Tom Hardy, however, surprises in unfamiliar grounds, sharply portraying a vulnerable character, whose vulnerability you will keep doubting.

The Drop is consistent from start to finish, and with jaw-dropping moments here and there, it is both an interesting and enjoyable film.

Following is the first movie Christopher Nolan ever directed, a mesmerizing low-budget effort that introduced the world to the genius who will later give us Memento, Inception, The Dark Knight, and many other classics. Shot in “extreme” conditions to quote Nolan himself, for just over £3000, it had to be filmed in the span of a year on Saturdays only and in friends’ houses. But almost none of that is visible in the sharp camera work, the magnificent acting (most of it was first or second takes), and the twisted script. It tells the story of an unsuccessful writer (The Young Man) who tries to find inspiration in following random people in the street, and doing it via strict rules. One day he follows a man in a suit (Cobb), who catches him and becomes intrigued by him. It turns out that Cobb has his own fascination with people’s intimate lives, of criminal nature, which he lets The Young Man into. Using the same non-linear plot technique as in Memento, this movie is halfway between a thriller and a film noir. The inspiration for it came when Nolan’s own apartment in London was robbed, and he was fascinated by the act of strangers going through his personal items. If you take into consideration the conditions of its making, this movie is a masterpiece.

Two Korean-American brothers run their family’s shoe store on the day of the 1992 LA riots. The day starts in their struggling business as they hang out with their friend – an 11-year-old African American girl – Kamilla. The Rodney King verdict is announced and violence breaks out. Written, directed, and starring Justin Chon, it’s a tight 94 minutes of impressive film-making that speaks volumes about America’s intra-minority race relations. It’s a work that elicits sympathy, and manages to uplift the violent event to a human level. An amazing movie.