Lisa Frankenstein (2024) | agoodmovietowatch
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Lisa Frankenstein 2024

A playful ode to ‘80s horror that never quite reaches its cult-classic potential

Our Take (by Renee Cuisia)

Written by Diablo Cody (Jennifer’s Body) and directed by Zelda Williams (daughter of the late Robin Williams), Lisa Frankenstein is a playful, funny, and stylish take on ‘80s horror and coming-of-age romcoms. Unfortunately, those traits alone are not enough to give the film the weight it needs to stand the test of time. There’s a clumsiness to the direction that, ironically enough, makes the film seem like parts lousily stitched together, instead of a coherent whole. There are pauses that are too long, transitions that feel off, and questions left unanswered. Why does it feel natural for Lisa to kill people? Was she close to her mom? What does her relationship with The Creature indicate, apart from the trite and obvious “outcasts must stick together”? Lisa Frankenstein doesn’t have to answer all these to be a good film, but when things are shallowly rendered, they become hard to ignore. It prioritizes pulpy gimmicks and visual gags that are admittedly fun to watch, but leaves behind equally important matters that flesh out Lisa as a person.

Notable Critics

"Like Karyn Kusama’s Jennifer’s Body (2009), also scripted by Diablo Cody, Lisa Frankenstein disinters a murderous monstrousness from female adolescence, empowerment and eros, while gradually reaffirming the (step)sisterhood."

— Anton Bitel

Synopsis

In 1989, a misunderstood teenager has a high school crush — who just happens to be a handsome corpse! After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness…and a few missing body parts along the way.

More about it

What happens

After her mother dies, Lisa (Kathryn Newton) moves in with her stepdad’s family and starts senior year in a new school. Lonely, she visits a nearby grave where the man of her dreams (Cole Sprouse) magically comes to life one day.

What sets it apart

All that said, Newton, Liza Soberano (who plays Lisa’s stepsister Taffy), and Carla Gugino (who plays her stepmom Janet) all give delightful, campy performances that somehow make the viewing worth it.

TL;DR

The female actors who give their all make it watchable, the bumpy direction does not.

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About the author

Renee Cuisia

Renee Cuisia

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She's also seen You've Got Mail one too many times but is still convinced it's one of the greatest films out there.