35 Best TV Shows on Now TV UK

Sometimes thinking about your home state can feel complicated, because while it’s your home, the events and issues and controversies of the state can make people think differently of it. With plenty of controversies but also having the most residents, Texas does have a distinct cultural identity, and Texan native director Richard Linklater explores its different sides, including the sides unheard of, through the three-part God Save Texas. Teaming up with Alex Stapleton and Iliana Sosa, they tackle the Huntsville prison complex, the Houston oil industry, and the borders of El Paso, but they do so through a compassionate, personal perspective that simply and subtly shifts our understanding of the Lone Star State, and America as a whole.

First released in 1998, HBO’s From the Earth to the Moon is a fittingly epic series that captures the magnitude of NASA’s missions to the moon. It’s equally informative and dramatic, featuring more real-life characters than you can track and more information than you can sometimes process. Thankfully, Tom Hanks appears at the start of every episode to brief you through the events, and archival footages are smoothly inserted when they’re needed. In the first two hours alone, there are spectacular space flights (with finely aged CGI, mind you) and heated courtroom debates, with each episode operating more like a standalone film than a TV episode. The only downside comes in retrospect: when you’ve seen films like the devastating First Man (about the struggles of Neil Armstrong) and the revelatory Space Race (about the many achievements of neglected Black astronauts), it’s not hard to imagine a version of this series that’s less celebratory and patriotic, and more critical and true to life.

Stax’s existence may have been short-lived, but its impact continues to be felt in every R&B record produced to this day. That’s one of the points this four-part documentary from HBO successfully makes so that by the end, you’re convinced Stax should be just as recognizable and appreciated as Motown, Atlantic, and other influential record labels. For the most part, the series resembles the typical documentary in that it’s propelled by animated talking heads and complementary archival footage, but the performances of Stax stars, including and most especially Otis Redding and Isaac Hayes, inject the documentary with an energy and electricity that pushes you to move and groove. The old-school editing feels thoughtful, too, while the additional animation adds a delightfully nostalgic touch. The documentary itself may not be as revolutionary as the events it captures, but it is just as enlightening, electrifying, and enjoyable.

If Wise Guy reads like a biography of David Chase and an oral history of The Sopranos, that’s because it is simultaneously both those things. Chase’s story is The Sopranos’ and vice versa. As Chase reveals in this two-part documentary, The Sopranos was initially based on his mother and his childhood in New Jersey. But then the show evolved into something more profound and complex than anyone could’ve imagined. Free from the reins of network TV, it relished in its R-rating creativity and quickly became a cultural phenomenon. People tuned into it every night. It was celebrated and parodied in equal measure. Most important of all, it ushered in a new era of prestige television that valued substance more than anything else. There’s no better person to guide us through the ins and outs and behind-the-scenes of The Sopranos than the showrunner himself. Director Alex Gibney parallels his interview with Chase with scenes from the show, even matching its colors and texture, to further prove how inextricable Chase is from his creation. We see never-before-seen clips of casting, script writing, reception—the works. Wise Guy must be heaven-sent to hardcore Sopranos fans, but it’s also the perfect introduction for the uninitiated.

Who do our children become once they leave the nest and enter the throes of early adulthood? Who do our parents become when we finally leave them by their lonesome? Many films and TV shows try to answer one question or the other, but rarely both at the same, and not with the kind of nuance, boldness, and compassion Mrs. Fletcher has for its characters. That’s what makes this limited series so comforting to watch, regardless of where you are in life right now. And because it’s often so emotionally exact, it can also be painful to watch–well, painful but healing. Like how astringents heal sore wounds, Mrs. Fletcher is the satisfying sting that validates your innermost hopes, fears, and desires at 19 or 39.