Little Voice

There’s a few issues that keep Little Voice from becoming a musical classic. For one, the characterization of Laura’s antagonists– her mother Mari and Mari’s boyfriend Ray Say– are a bit all over the place. Ray Say seems a bit too nice to be a manipulative talent agent, while the film never truly contemplates what brought Mari to neglect Laura the way she does. Secondly, when they lament over Laura wasting her musical talents, it’s a bit ludicrous, considering they also waste Ewan McGregor’s musical talents as well. But seeing Jane Horrocks meekly go through her days, to suddenly blurt out incredible mimic performances, is what makes us want to root for Little Voice and finally see her shine. It’s just a shame that the writing and characterization isn’t as tight as it could be.

After the death of her father, Little Voice or LV becomes a virtual recluse, never going out and hardly ever saying a word. She just sits in her bedroom listening to her father's collection of old records of Shirley Bassey, Marilyn Monroe and various other famous female singers. But at night time, LV sings, imitating these great singers with surprising accuracy. One night she is overheard by one of her mother's boyfriends, who happens to be a talent agent. He manages to convince her that her talent is special and arranges for her to perform at the local night club, but several problems arise.