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After the Storm

-/5
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A quiet, smart and well-crafted movie by the much celebrated director Hirokazu Koreeda. Like his other work, notably Like Father, Like Son and Nobody Knows, it addresses family dynamics and how they surface. Once a successful writer, Ryota is now a private detective who spends the little money he makes on gambling instead of paying child support. His ex-wife and son are increasingly alienated by his behavior, until one day, during a storm, they all find themselves trapped in Ryota’s childhood home. Subtly touching on notions of inter-generational bond and tension – this is the kind of movie of which you’ll remember flashes long after you watch it.

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It's Only the End of the World

4.1/5
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Based on a play and taking place in the span of one afternoon, It’s Only the End of the World is about a successful writer returning to his hometown in rural Canada baring life-altering news. But before he can share anything, he is faced with the remnants of his life prior to moving out and his family members’ (eccentric but relatable) personalities. This is a movie by one of the most interesting directors working today, Canadian Xavier Dolan. Contrary to his plot-heavy Mommy (which earned him the Cannes Jury Prize at 25 years old), in It’s Only the End of the World how the story unfolds is far more important than what it unfolds. It’s an exploration of dynamics: between brother and sister, between son and mother, between brothers, etc. Don’t go into it expecting things to happen, or waiting for what will happen in the end. Instead, the purpose of this of this film can be found in how Xavier Dolan handles his usual themes of family through big talent: Mario Cotillard, Vincent Cassel, and Léa Seydoux among many others.

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